Combined Pre-bid/Webcast Auction
Location: VIrtual Online
Image | Lot # | Name / Description |
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#1 |
Michael Ray Charles (Am. 1967-), Exhibition Catalogue, 1997, folioExhibition Catalogue, 1997, folio, Packet is enclosed in the original flour sack, used at both the Tony Shafazi Gallery and the Blaffer Gallery, Est. $4000 -$8000 |
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#2 |
Esse Forrester-O'Brien (Am. 20th Cent.), Art and Artists of Texas, BookArt and Artists of Texas, Book, Est. $200 - $400 |
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#3 |
Everett Spruce & Otis Dozier , Pair of Folios: Everett Spruce, A Portfolio of Eight Paintings, I Blaffer Series of Southwestern Art, U.T. Press, 1958; and Otis Dozier, A Portfolio of Six Paintings, II Blaffer Series of Southwestern Art, U.T. 1961, signedPair of Folios: Everett Spruce, A Portfolio of Eight Paintings, I Blaffer Series of Southwestern Art, U.T. Press, 1958; and Otis Dozier, A Portfolio of Six Paintings, II Blaffer Series of Southwestern Art, U.T. 1961, signed ot Elianor and Karl Oviatt, My Friends - Otis Dozier, portfolio, (Not an individual Lot - Goes with Otis Dozier portfolio), Est. $200 - $400 |
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#4 |
Melissa Miller (Am. Bn. 1951-), Group, Edi. 75/75, printGroup, Edi. 75/75, print, 10 x 10, signed on reverse: 75/75, Group, M.W., Est. $500 - $1000 |
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#5 |
Lura Ann Taylor (Am. 1906-1990), Church Near Mexico, lithographChurch Near Mexico, lithograph, 10 1/2 x 8, signed lower right: Lura Ann Taylor, Est. $400 - $800 |
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#6 |
Beth Clardy (Am. 1919-2004), Green Half Moon, 2002, monoprintGreen Half Moon, 2002, monoprint, 16 x 19 5/8, signed across bottom: Green Half Moon 1/1, Beth Clardy, Est. $400 - $800 |
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#7 |
Horace Oakley Robertson (Am. 1886-1970), Liberty Church, 1940, lithographLiberty Church, 1940, lithograph, 9 x 11 7/8, signed across bottom: Liberty Church 25, HO Robertson 1940, , Est. $1500 - $2500 |
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#8 |
Horace Oakley Robertson (Am. 1886-1970), Docker's Riverside Hotel - Shawneetown, 1942, lithographDocker's Riverside Hotel - Shawneetown, 1942, lithograph, 9 1/4 x 11 7/8, signed lower right: HO Robertson, Est. $800 - $1200 |
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#9 |
James Record (Am. 1956-1997), Texas State Capital Dome, lithographTexas State Capital Dome, lithograph, 25 x 21, signed across bottom: The Texas State Capital Dome, 584/1986, Est. $300 - $600 |
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#10 |
Bill Wiman (Am. Bn. 1940), Texas Cubism, Ed. 4/20, 1977, lithographTexas Cubism, Ed. 4/20, 1977, lithograph, 22 x 18, signed across bottom: Texas Cubism, 4/20, Bill Wiman '77, Est. $1500 - $3000 |
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#11 |
Kelly Fearing (Am. 1918-2011), Untitled, Abstract Patterns with Arms, monoprintUntitled, Abstract Patterns with Arms, monoprint, 11 x 8 1/2, signed lower right: Kelly Fearing, 1947, Est. $250 - $500 |
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#12 |
Kelly Fearing (Am. 1918-2011), Little Boat, 1948, monoprintLittle Boat, 1948, monoprint, 8 x 10 1/2, signed across bottom: Little Boat, Kelly Fearing, Est. $250 - $500 |
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#13 |
Kelly Fearing (Am. 1918-2011), Red Fish, 1948, graphite & Gouache on paperRed Fish, 1948, graphite & Gouache on paper, 7 x 11, signed lower right: Kelly Fearing, 1948 , Est. $800 - $1200 |
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#14 |
Kelly Fearing (Am. 1918-2011), Boy with a Kite in a Secret Place, etchingBoy with a Kite in a Secret Place, etching, 9 3/4 x 8, signed across bottom: Boy with a Kite in a Secret Place,, Est. $200 - $500 |
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#15 |
Kelly Fearing (Am. 1918-2011), Under Water Plant Growing, 1947, monoprintUnder Water Plant Growing, 1947, monoprint, 12 1/2 x 9, signed lower left: Under Water Plant Growing, Kelly Fearing '47, Est. $250 - $500 |
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#16 |
Edward Eisenlohr (Am. 1872-1961), The River at Santa Fe, Ed. 14/50, lithographThe River at Santa Fe, Ed. 14/50, lithograph, 8 x 10, signed lower right: Edward G. Eisenlohr, Est. $500 - $1000 |
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#17 |
Edward Eisenlohr (Am. 1872-1961), Hillside Adobes, lithographHillside Adobes, lithograph, 8 x 10, signed lower right: Edward G. Eisenlohr, Est. $500 - $1000 |
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#18 |
Janet Turner (Am. 1914-1988), Chickens, 1948, Ed. 50, color block printChickens, 1948, Ed. 50, color block print, 12 x 9, signed across bottom: Chickens, Ed. 50, Janet Turner, This image by Turner was exhibited in the 10th Annual Texas Exhibition, 1948-1949; the 2nd Southwestern Exhibition of Prints and Drawings Awarded Richard H. McLarry Prize; and in the 3rd National Print Annual Exhibition, 1949, Est. $400 - $800 |
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#19 |
Merritt Mauzey (Am. 1898-1973), Cotton Picker, Ed. 6/19, lithographCotton Picker, Ed. 6/19, lithograph, 10 x 11 3/4, signed across bottom: Cotton Pickers, 6/1/9, Merritt Mauzey, This image is in the collections of: the Dallas Museum of Art, Smithsonian Museum of Art and the Blanton Museum of Art., Est. $500 - $1000 |
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#20 |
Merritt Mauzey (Am. 1898-1973), Trip to the Gin, Ed. 30, lithographTrip to the Gin, Ed. 30, lithograph, 11 5/8 x 16, signed across bottom: Trip to the Gin (Ed. 30) Merritt Mauzey, This image is in the collections of: Birmingham Museum of Art; Smithsonian Museum of Art and the Whitney Museum of Art. , Est. $500 - $1000 |
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#21 |
Merritt Mauzey (Am. 1898-1973), Public Weigher, Ed. 15, lithographPublic Weigher, Ed. 15, lithograph, 12 1/8 x 16 1/4, signed across bottom: Public Weigher (Ed. 15), This image is in the collection of the Birmingham Museum of Art and the Gilcrease Museum., Est. $500 - $1000 |
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#22 |
Merritt Mauzey (Am. 1898-1973), Cotton Compress, Ed. 12/23, lithographCotton Compress, Ed. 12/23, lithograph, 10 x 11 3/4, signed across bottom: Cotton Compress 12/23, Merritt Mauzye, This image is in the collection of the Dallas Museum of Art; Blanton Museum of Art; Smithsonian Museum of Art. The painting of this image was in the 1936 Texas Centennial Exhibition, Est. $500 - $1000 |
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#23 |
Merritt Mauzey (Am. 1898-1973), Cotton Gin, 12/25, lithographCotton Gin, 12/25, lithograph, 10 x 11 3/4, signed across bottom: Cotton Gin, 12/25, Merritt Mauzey, This image is in the collections of the Dallas Museum of Art; National Gallery of Art and the Blanton Museum of Art. The painting, the Cotton Gin, was in the 1936 Texas Centennial Exhibition., Est. $500 - $1000 |
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#24 |
Merritt Mauzey (Am. 1898-1973), Ed's Place, Ed. 20, lithographEd's Place, Ed. 20, lithograph, 9 1/2 x 13 3/4, signed across bottom: Ed's Place (Ed 20), Merritt Mauzey, , Est. $1000 - $2000 |
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#25 |
Merritt Mauzey (Am. 1898-1973), Ballard Ranch, Ed. 15/20, lithographBallard Ranch, Ed. 15/20, lithograph, 10 x 11 7/8, signed across bottom: Ballard Ranch, 15/20, Merritt Mauzey, This image is in the collections of: McNay Art Museum; Philadelphia Museum of Art; Blanton Museum of Art., Est. $500 - $1000 |
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#26 |
Merritt Mauzey (Am. 1898-1973), Desert Drama, Ed. 2/22, 1939, lithographDesert Drama, Ed. 2/22, 1939, lithograph, 12 x 10, signed across bottom: Desert Drama, 2/22, Merritt Mauzey, This image is in the collections of: Philadelphia Museum of Art and was exhibited at the "American Prints" at Philadelphia Museum of Art in 1939, exhibition label is on reverse., Est. $500 - $1000 |
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#27 |
Veronica Helfensteller (Am. 1910-1964), The Three Guardians, lithographThe Three Guardians, lithograph, 14 x 17 1/2, signed lower right: Helfensteller, Est. $600 - $1200 |
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#28 |
Veronica Helfensteller (Am. 1910-1964), Port, etchingPort, etching, 4 x 5, signed across bottom: Port, Veronica Helfensteller, Est. $600 - $1200 |
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#29 |
Mary Lightfoot (Am. 1889-1970), Abstract Design, serigraphAbstract Design, serigraph, 13 x 16, Est. $300 - $600 |
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#30 |
Emily Rutland (Am. 1890/94-1983), Texas Oilwell, charcoal on paperTexas Oilwell, charcoal on paper, 13 x 17 1/2, signed lower right: Emily Rutland, Est. $800 - $1500 |
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#31 |
Emily Rutland (Am. 1890/94-1983), Playful Horses, lithographPlayful Horses, lithograph, 12 x 16, signed across bottom: Playful Horses, Emily Rutland, Est. $500 - $1000 |
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#32 |
Barbara Maples (Am. 1912-1999), Untitled, photogramUntitled, photogram, 7 3/4 x 9 3/8, signed lower right: Barbara Maples, Est. $300 - $600 |
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#33 |
Barbara Maples (Am. 1912-1999), Nickie, Ed. 2 of 4, aquatintNickie, Ed. 2 of 4, aquatint, 9 x 11 3/4 , signed across bottom: Nickie, 4/2, Barbara Maples, Est. $400 - $800 |
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#34 |
Barbara Maples (Am. 1912-1999), Gulf Scene, linocutGulf Scene, linocut, 17 x 11 1/2, signed across bottom: Guld Stream, Ed. 12 ,Barbara L Maples, Est. $1000 - $2000 |
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#35 |
Florence McClung (Am. 1894-1992), Back of the Bullring, 1948, lithographBack of the Bullring, 1948, lithograph, 12 x 15 3/4, signed across bottom: Back of the Bullring, Florence McClung, Est. $1500 - $3000 |
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#36 |
Coreen Mary Spellman (Am. 1905-1978), Underpass, 1924, mezzotintUnderpass, 1924, mezzotint, 4 3/4 x 7, signed across bottom: Underpass - 24, CM Spellman, This work was published in: American Today, Collection of Exhibition Prints, Est. $1500 - $3000 |
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#37 |
Coreen Mary Spellman (Am. 1905-1978), Study Time, mezzotintStudy Time, mezzotint, 7 3/4 x 5 3/4, signed across bottom: Study Time, Coreen Mary Spellman, Est. $1000 - $2000 |
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#38 |
Coreen Mary Spellman (Am. 1905-1978), Share Cropper, etchingShare Cropper, etching, 4 7/8 x 6 3/4, signed across bottom: Share Cropper, Coreen Mary Spellman, Est. $2000 - $3000 |
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#39 |
Blanche McVeigh (Am. 1895-1970), Majorettes, c. 1945, aquatintMajorettes, c. 1945, aquatint, 10 1/2 x 13 7/8, estate stamped lower right, Est. $600 - $1200 |
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#40 |
Blanche McVeigh (Am. 1895-1970), Majorettes, c. 1945, color aquatintMajorettes, c. 1945, color aquatint, 7 x 9, Est. $500 - $1000 |
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#41 |
Blanche McVeigh (Am. 1895-1970), Firewood, 1941 (Ed. 10 of 25), aquatintFirewood, 1941 (Ed. 10 of 25), aquatint, 8 7/8 x 6 7/8, signed across bottom: 10/25, Firewood, Blanche McVeigh, , Est. $500 - $1000 |
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#42 |
Blanche McVeigh (Am. 1895-1970), Enough, 1946, color aquatintEnough, 1946, color aquatint, 10 x 7 3/4, signed across bottom: Enough, 50 prints, Blanche McVeigh, Est. $600 - $1200 |
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#43 |
Blanche McVeigh (Am. 1895-1970), Decatur Courthouse, aquatintDecatur Courthouse, aquatint, 12 x 8 3/4 , signed across bottom: Decatur Courthouse, This was the prize winning print at Exhibition: First Light; Local Art and the Fort Worth Public Library; 1901-1961; A Centennial Exhibition at the Fort Worth Public Library in 2001, Est. $600 - $1200 |
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#44 |
Blanche McVeigh (Am. 1895-1970), The Haunted House, aquatintThe Haunted House, aquatint, 11 x 14, signed across bottom: Haunted House, 50 prints, Blanche McVeigh, Est. $1000 - $2000 |
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#45 |
Blanche McVeigh (Am. 1895-1970), House in the Woods, etchingHouse in the Woods, etching, 5 x 7, signed lower left: Blanche McVeigh, Est. $300 - $600 |
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#46 |
Jerry Bywaters (Am. 1906-1989), Paint Colt, Ed. 50, linoleum block print, in two colorsPaint Colt, Ed. 50, linoleum block print, in two colors, 10 x 6 1/2 , signed across bottom: Paint Colt, Ed. 50, Jerry Bywaters, Est. $800 - $1200 |
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#47 |
Jerry Bywaters (Am. 1906-1989), Padre, c. 1940, linoleum block print with three colorsPadre, c. 1940, linoleum block print with three colors, 10 x 8, signed across bottom: Padre, Jerry Bywaters, Est. $800 - $1200 |
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#48 |
Olaf Wieghorst (Am. 1899-1988), Bucking Branco, etchingBucking Branco, etching, 7 3/8 x 5 3/4, signed lower right: O Wieghorst , Est. $750 - $1000 |
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#49 |
William Herbert "Buck" Dunton (Am. 1878-1936), Texas Cowhand, Model: Van Price, 1928, charcoal on paperTexas Cowhand, Model: Van Price, 1928, charcoal on paper, 14 x 11, signed lower left: Dunton of Taos, Signed across bottom: Texas Cowland ,Model, Van Price, W. Herbert Dunton, Aug. 31st, 1928, Est. $1800 - $2200 |
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#50 |
Nick Eggenhofer (Am. 1897-1985), When All is Said, it was the man on horseback who made the West, graphite on paperWhen All is Said, it was the man on horseback who made the West, graphite on paper, 9 x 7, signed lower right: Eggenhofer, Est. $750 - $1000 |
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#51 |
Dan Dial (Am. 1912-1987), Third Mortgage, conte on paperThird Mortgage, conte on paper, 28 x 20 1/2 , This work was exhibited at the Dallas Museum of Fine Arts, Eleventh Annual Allied Arts Exhibition, 1940, Est. $600 - $1200 |
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#52 |
Trenton Hancock (Am. B. 1974-), Hag Bag, 1998, acrylic on paperHag Bag, 1998, acrylic on paper, 15 x 13 1/2, Est. $1500 - $3000 |
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#53 |
Jerry Bywaters (Am. 1906-1989), Ranch Hand and Pony, lithographRanch Hand and Pony, lithograph, 9 13 1/4, signed lower right: Jerry Bywaters, Est. $1000 - $2000 |
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#54 |
Jerry Bywaters (Am. 1906-1989), Mexican Mother, 1936, lithographMexican Mother, 1936, lithograph, 16 x 12, signed across bottom: Mexican Mother, Jerry Bywaters, '36, Est. $1000 - $2000 |
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#55 |
William Lester (Am. 1901-1991), Coming Rain, March - 1930, lithographComing Rain, March - 1930, lithograph, 7 1/2 x 9, signed across bottom: WM Lester (S.L.), Coming Rain, March 1930 , Est. $1000 - $2000 |
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#56 |
William Lester (Am. 1901-1991), Old Store in Austin, Ed. Of 20; 1942, lithographOld Store in Austin, Ed. Of 20; 1942, lithograph, 8 1/2 x 11, signed across bottom: Old Store in Austin, Edition 20, WM Lester 1942, Est. $1000 - $2000 |
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#57 |
William Lester (Am. 1901-1991), Mountain River, Ed. Of 25, 1941, lithographMountain River, Ed. Of 25, 1941, lithograph, 10 1/8 x 14 15/16, signed across bottom: Mountain River, Edition 25, WM Lester, 1941, Est. $1500 - $3000 |
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#58 |
William Lester (Am. 1901-1991), Live Oak Pass, Edition of 25, 1941, lithographLive Oak Pass, Edition of 25, 1941, lithograph, 9 3/4 x 14, signed across bottom: Live Oak Pass, Edition 25, WM Lester 1941, Est. $1000 - $2000 |
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#59 |
William Lester (Am. 1901-1991), Live Oak Pass, Edition of 25, 1941, lithographLive Oak Pass, Edition of 25, 1941, lithograph, 9 3/4 x 14, signed on reverse: Live Oak Pass, Edition 25, WM Lester (S.L.) 1941, Est. $1000 - $2000 |
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#60 |
William Lester (Am. 1901-1991), Deep Woods, Edition of 25; 1940, lithographDeep Woods, Edition of 25; 1940, lithograph, 10 1/2 x 8, signed across bottom: Deep Woods, Edition 25, WM Lester 1940, Est. $1000 - $2000 |
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#61 |
William Lester (Am. 1901-1991), Recluse, d. of 25, 1939, lithographRecluse, d. of 25, 1939, lithograph, 10 1/8 x 8, signed and titled across bottom: Recluse, 1939, Ed. Of 25, William Lester, Est. $1000 - $2000 |
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#62 |
Alexandre Hogue (Am. 1898-1994), Pentente Morada, Ed. 6/50, 1941, lithographPentente Morada, Ed. 6/50, 1941, lithograph, 9 x 13, signed across bottom: Penetente Morada, 6/50, Alexandre Hogue, 1941, Est. $2500 - $4500 |
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#62A |
Alexandre Hogue (Am. 1898-1994), Liberators, 1943, lithographLiberators, 1943, lithograph, 11 1/2 x 15, signed across bottom: Liberators, Alexandre Hogue, 1943, Est. $1000 - $2000 |
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#62B |
Alexandre Hogue (Am. 1898-1994), Oil Strike, 1943, lithographOil Strike, 1943, lithograph, 16 1/2 x 13 1/4, signed across bottom: Oil Strike, Alexandre Hogue, 1943, Est. $2000 - $4000 |
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#63 |
Alexandre Hogue (Am. 1898-1994), In the Beginning, Ed. 10/20; 1964, aquatintIn the Beginning, Ed. 10/20; 1964, aquatint, 16 x 22, signed across bottom: In The Beginning, 10/20; Alexandre Hogue-Imp-1964, Est. $600 - $1200 |
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#64 |
Alexandre Hogue (Am. 1898-1994), Cryptonymous, Ed. 6/16, 1957, screenprintCryptonymous, Ed. 6/16, 1957, screenprint, 14 x 18 , signed across bottom: Cryptonymous, Est. $1500 - $3000 |
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#65 |
Alexandre Hogue (Am. 1898-1994), Bombardment, Ed. 36 of 55, 1952, screenprintBombardment, Ed. 36 of 55, 1952, screenprint, 9 x 13, signed across bottom: Bombardment 36/55, Alexandre Hogue, 1952, Est. $600 - $1200 |
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#66 |
Alexandre Hogue (Am. 1898-1994), March Fantasy, Ed. 8/40, 1927, two color linocut on rice paperMarch Fantasy, Ed. 8/40, 1927, two color linocut on rice paper, 10 x 14 , signed across bottom: March Fantasy 8/40, Alexandre Hogue, 1927, Est. $1000 - $2000 |
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#67 |
Alexandre Hogue (Am. 1898-1994), On the Back Stretch, Ed. 150/150, serigraphOn the Back Stretch, Ed. 150/150, serigraph, 9 1/2 x 18, signed across bottom: On the Back Stretch, Est. $800 - $1200 |
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#68 |
Peter Hurd (Am. 1904-1984), Saturday Night, 36 Edition, lithographSaturday Night, 36 Edition, lithograph, 15 1/2 x 12, signed lower right: Peter Hurd, Est. $2500 - $3500 |
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#69 |
Peter Hurd (Am. 1904-1984), The Sentinel Santa Fe Trail, Ed. 134/500, lithographThe Sentinel Santa Fe Trail, Ed. 134/500, lithograph, 13 x 19 1/4, signed lower right: Peter Hurd, Est. $800 - $1200 |
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#70 |
Thomas Hart Benton (Am. 1889-1975), Island Hay, lithographIsland Hay, lithograph, 10 x 12 1/2, singed across bottom: Island Hay, Thomas H. Benton, Est. $1500 - $2500 |
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#71 |
Grant Wood (Am. 1891-1942), March, 1939, lithographMarch, 1939, lithograph, 9 x 12, signed lower right: Grant Wood, Est. $6000 - $8000 |
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#72 |
George Grammer (Am. 1928-2019), Day of the Blessing of the Flowers, 1952, lithographDay of the Blessing of the Flowers, 1952, lithograph, 11 1/2 x 7 1/2, signed across bottom: Day of the Blessing of the Flowers, 4/10, George Grammer, 1952, Est. $800 - $1200 |
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#73 |
Lloyd Goff (Am. 1908-1982), Cattle Country, lithographCattle Country, lithograph, 6 x 10 1/2, signed across bottom: Cattle Country, Lloyd Lozes Goff, , Est. $300 - $600 |
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#74 |
Otis Dozier (Am. 1904-1987), Jackrabbit , woodblock printJackrabbit , woodblock print, 3 3/4 x 3 3/4 , Est. $600 - $800 |
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#75 |
Otis Dozier (Am. 1904-1987), Grasshopper, 1987, serigraphGrasshopper, 1987, serigraph, 20 x 26 , signed across bottom: 25/30, Otis Dozier, '87, Est. $1000 - $2000 |
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#76 |
Otis Dozier (Am. 1904-1987), Jackrabbit Dreaming, pencil on paperJackrabbit Dreaming, pencil on paper, 5 x 7 3/4 , signed lower right: Dozier, Est. $600 - $1200 |
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#78 |
Otis Dozier (Am. 1904-1987), Palm Leaf, ink and watercolor on paperPalm Leaf, ink and watercolor on paper, 7 1/2 x 10 1/2, singed lower right: Dozier, Est. $600 - $1200 |
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#79 |
Emil James Bisttram (Am. 1895-1976), Untitled, charcoal on paperUntitled, charcoal on paper , 15 1/2 x 18, signed lower right: Bisttram, Est. $800 - $1200 |
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#80 |
Emil James Bisttram (Am. 1895-1976), Untitled, charcoal on paper,Signed under matte: EJB-01Untitled, charcoal on paper, 21 x 13, Signed under matte: EJB-01Est. $800 - $1200 |
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#81 |
Josephine Mahaffey (Am. 1903-1982), Conch Shell, watercolor on paperConch Shell, watercolor on paper, 14 1/2 x 18 , signed lower right: j.m., Exhibited: "Celebrating Early Texas Art: Treasures from Dallas-Fort Worth Private Collections 1900 - 1960", FW Community Arts Center, 2005; Exhibited: First Light: Local Art and the Fort Worth Public Library, 1901 - 1961, A Centennial Exhibit at the FW Public Library, 2001 Est. $600 - $1200 |
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#82 |
Josephine Mahaffey (Am. 1903-1982), New York City, watercolor on paperNew York City, watercolor on paper, 29 x 21, signed lower right: j.m., Est. $1000 - $2000 |
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#83 |
Josephine Mahaffey (Am. 1903-1982), Red Fruit & Grapes, watercolor on paperRed Fruit & Grapes, watercolor on paper, 13 1/2 x 10, Est. $200 - $400 |
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#84 |
Josephine Mahaffey (Am. 1903-1982), Wine Bottles, watercolor on paperWine Bottles, watercolor on paper, 21 1/2 x 29 1/2, Est. $500 - $1000 |
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#85 |
Josephine Mahaffey (Am. 1903-1982), Blue Cow, watercolor on paperBlue Cow, watercolor on paper, 24 x 20, Est. $400 - $800 |
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#86 |
Josephine Mahaffey (Am. 1903-1982), Rooster, watercolor on paperRooster, watercolor on paper, 8 1/2 x 7, Est. $200 - $400 |
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#87 |
Josephine Mahaffey (Am. 1903-1982), Texas Parade, watercolor on paperTexas Parade, watercolor on paper, 12 x 16 1/2, signed lower right: JM, Est. $600 - $1200 |
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#88 |
Josephine Mahaffey (Am. 1903-1982), Prickly Pear Cactus, watercolor on paperPrickly Pear Cactus, watercolor on paper, 29 1/2 x 19 3/4, signed lower right: JM, Est. $300 - $600 |
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#89 |
Josephine Mahaffey (Am. 1903-1982), Cats & Rooster, watercolor on paperCats & Rooster, watercolor on paper, 12 x 16 1/4, signed lower right: JM, Est. $300 - $600 |
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#90 |
Josephine Mahaffey (Am. 1903-1982), Bottles, watercolor on paperBottles, watercolor on paper, 29 x 22, signed lower right: JM, Est. $300 - $600 |
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#91 |
Josephine Mahaffey (Am. 1903-1982), Owl, printOwl, print, 11 1/2 x 6 1/2, signed lower right: JM, Est. $200 - $400 |
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#92 |
Josephine Mahaffey (Am. 1903-1982), Peacock, printPeacock, print, 8 x 4 1/2, signed lower right: JM, Est. $200 - $400 |
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#93 |
Tom Lea (Am. 1907-2001), Plant of the Town of Puerto, 1880, map, ink and pencil on paperPlant of the Town of Puerto, 1880, map, ink and pencil on paper, 22 1/2 x 26 1/2, signed lower right: made for reference during the writing of The Wonderful Country, by: Tom Lea, Made for reference during the writing of The Wonderful Country, by: Tom Lea, Est. $8000 - $10000 |
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#93A |
Scott & Stuart Gentling , ScissorTailed Fly Catcher, Plate XLVII, offest lithographScissorTailed Fly Catcher, Plate XLVII, offest lithograph, 25 1/2 x 19 3/4, This work hung in the Bird Café in the historic Land Title Building at 155 East 4th St in Fort Worth., Est. $1000 - $2000 |
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#93B |
Scott & Stuart Gentling , Roadrunner, Plate: XLIII, offest lithographRoadrunner, Plate: XLIII, offest lithograph, 25 1/2 x 19 3/4, This work hung in the Bird Café in the historic Land Title Building at 155 East 4th St in Fort Worth., Est. $1000 - $2000 |
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#93C |
Scott & Stuart Gentling , Pyrrhuloxia, Plate: XXXIV, offest lithographPyrrhuloxia, Plate: XXXIV, offest lithograph, 25 1/2 x 19 3/4, This work hung in the Bird Café in the historic Land Title Building at 155 East 4th St in Fort Worth., Est. $1000 - $2000 |
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#93D |
Scott & Stuart Gentling , Scaled Quail, Plate XXV, offest lithographScaled Quail, Plate XXV, offest lithograph, 25 1/2 x 19 3/4, This work hung in the Bird Café in the historic Land Title Building at 155 East 4th St in Fort Worth., Est. $1000 - $2000 |
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#93E |
Scott & Stuart Gentling , House-Wren, Plate XXII, offest lithographHouse-Wren, Plate XXII, offest lithograph, 25 1/2 x 19 3/4, This work hung in the Bird Café in the historic Land Title Building at 155 East 4th St in Fort Worth., Est. $1000 - $2000 |
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#93F |
Scott & Stuart Gentling , Mourning Dove, Plate XXXI, offest lithographMourning Dove, Plate XXXI, offest lithograph, 25 1/2 x 19 3/4, This work hung in the Bird Café in the historic Land Title Building at 155 East 4th St in Fort Worth., Est. $1000 - $2000 |
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#94 |
Olin Travis (Am. 1888-1975), Landscape, oil on boardLandscape, oil on board, 4 1/2 x 9, signed lower left: Olin Travis, Est. $400 - $800 |
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#95 |
Louis Oscar Griffith (Am. 1875-1956), Fall Landscape, oil on canvasboardFall Landscape, oil on canvasboard, 9 3/4 x 14, signed lower left: L.O. Griffith, Est. $1000 - $2000 |
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#96 |
Louis Oscar Griffith (Am. 1875-1956), Near Guid Mound, Texas, pastel on paperNear Guid Mound, Texas, pastel on paper , 4 1/2 x 8 1/2, singed lower right: L.O. Griffith, Exhibited: Palette Paper & Chisel Club, Athenium Building, Chicago, IL, Est. $400 - $800 |
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#97 |
Louis Oscar Griffith (Am. 1875-1956), Indian Travelers in Texas, pastel on paperIndian Travelers in Texas, pastel on paper , 4 1/2 x 8 1/2, singed lower right: L.O. Griffith, Exhibited: Palette Paper & Chisel Club, Athenium Building, Chicago, IL, Est. $400 - $800 |
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#98 |
Carl Benton Compton (Am. 1905-1981) , Food Gatherers, 1935, oil on canvasFood Gatherers, 1935, oil on canvas, 20 x 24, signed lower left: Carl Benton Compton, 1935, Est. $3000 - $6000 |
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#99 |
Mildred Norris Compton (Am. 1912-1976) , Snow Scene with Sled, c. 1935, oil on canvasSnow Scene with Sled, c. 1935, oil on canvas, 20 x 23 3/4, Est. $2000 - $4000 |
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#100 |
Mildred Norris Compton (Am. 1912-1976) , Meditation Scene, gouache on paperMeditation Scene, gouache on paper, 12 x 16 , signed lower right: Mildred Norris Compton 1946 , Est. $1000 - $2000 |
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#101 |
Mildred Norris Compton (Am. 1912-1976), Women at a Well, gouache on paperWomen at a Well, gouache on paper, 12 1/2 x 16 , signed lower right: Mildred Compton, Est. $1000 - $2000 |
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#102 |
Mildred Norris Compton (Am. 1912-1976), Meditation Family, gouache on paperMeditation Family, gouache on paper, 12 3/4 x 16 , signed lower right: Mildred Compton, Est. $1000 - $2000 |
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#103 |
Carl Benton Compton (Am. 1905-1981) , A family in a Landscape, gouache on paperA family in a Landscape, gouache on paper, 15 x 20 , signed lower right: Carl Benton Compton, Est. $2000 - $4000 |
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#104 |
Carl Benton Compton (Am. 1905-1981) , Bison Skull and Fantastical Landscape, gouache on paperBison Skull and Fantastical Landscape, gouache on paper, 14 1/2 x 18 , signed lower right: Carl Benton Compton 1944, Est. $1500 - $3000 |
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#105 |
Mildred Norris Compton (Am. 1912-1976) , Self Portrait, 1932, oil on canvasSelf Portrait, 1932, oil on canvas, 24 x 18 3/4, signed lower right: Chicago, '32, Est. $2000 - $4000 |
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#106 |
Carl Benton Compton (Am. 1905-1981) , Portrait of a Woman, oil on boardPortrait of a Woman, oil on board, 15 1/4 x 12 , signed lower right: CBC, Est. $2000 - $4000 |
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#107 |
Carl Benton Compton (Am. 1905-1981) , Woman Reading, oil on canvasWoman Reading, oil on canvas, 29 x 23, Est. $1500 - $3000 |
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#107A |
Otis Dozier (Am. 1904-1987), Colorado Magpies, 1943, oil on masoniteColorado Magpies, 1943, oil on masonite, 16 x 20 , signed lower right: Otis Dozier, '43, Est. $6000 - $12000 |
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#107B |
Red (Chalres Rogers) Grooms (Am. Bn. 1937-), Bull Rider, lithographBull Rider, lithograph , 25 1/2 x 18 1/4, sgined across bottom: 8/100, Red Grooms '91, This lot is accompanied by a statement from the Shark’s Ink Press. It states this lithograph was published by the Modern Art Museum of Fort Worth., Est. $1500 - $2500 |
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#107C |
Red (Chalres Rogers) Grooms (Am. Bn. 1937-), Bronco Buster, Ed. 66/75, lithographBronco Buster, Ed. 66/75, lithograph , 8 3/4 x 8 1/4, signed across bottom: 66/75 Red Grooms, This lot is accompanied by a statement from the Shark’s Ink Press., Est. $700 - $1000 |
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#108 |
Fred Darge (Am. 1900-1978), Dry Country (Davis Mountains, Texas), oil on canvasboardDry Country (Davis Mountains, Texas), oil on canvasboard, 12 x 16, signed lower right: F. Darge, Est. $2000 - $3000 |
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#109 |
Fred Darge (Am. 1900-1978), Early Morning Grand Canyon, oil on canvasboardEarly Morning Grand Canyon, oil on canvasboard, 12 x 16, signed lower right: F. Darge, Note on reverse of painting: "Early Morning" (on the Trail to Hopi Point, Grand Canyon, National Park Arizona, Est. $3000 - $6000 |
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#109A |
William Forauer (Am. 20th Cent.), Untitled, Forward Facing Cows in a Landscape, oil on canvasUntitled, Forward Facing Cows in a Landscape, oil on canvas, 30 x 40, signed lower right: W. Forauer, Provenance: From the Estate of Derrill Osborne. William Forauer ; Private Collection, Dallas, TX current acquired from above, Est. $2500 - $5000 |
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#110 |
Fred Darge (Am. 1900 - 1978), Goat Herder Sketch (Old Pedro on the left), pencil on paperGoat Herder Sketch (Old Pedro on the left), pencil on paper 4 1/3 x 6 7/8, signed lower right: F Darge, Est. $1000 - $2000 |
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#111 |
Joe Grandee (Am. 1929-1976), Rounding Up the Herd, oil on canvasRounding Up the Herd, oil on canvas, 22 x 28 , signed lower left: Joe Grandee, Est. $6000 - $8000 |
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#112 |
Elmer Boone (Am. 1883-1952), The Cattle Drive, oil on canvasThe Cattle Drive, oil on canvas, 19 1/4 x 30 1/4, signed lower right: E.L. Boone, Est. $12000 - $15000 |
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#113 |
Fred Darge (Am. 1900-1979), Boat Rental, White Rock Lake, oil on canvasboardBoat Rental, White Rock Lake, oil on canvasboard, 18 x 24, signed lower right: F Darge, Est. $4000 - $8000 |
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#114 |
Fred Darge (Am. 1900-1978, Afternoon Shadows, Big Bend National Park, oil on canvasboardAfternoon Shadows, Big Bend National Park, oil on canvasboard, 12 x 16, signed lower right: F. Darge, Est. $3000 - $6000 |
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#115 |
Fred Darge (Am. 1900-1978), Horsemen & Pack horse on Bumham Chisos Ranch, Chisos Mountains c. 1936, oil on canvasHorsemen & Pack horse on Bumham Chisos Ranch, Chisos Mountains c. 1936, oil on canvas, 22 x 32, signed lower right: F Darge, Provenance: Fred Darge Studio; H.A. Conover Estate purchased from above, Est. $18000 - $25000 |
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#116 |
Ella K Mewhinney (Am. 1891-1962), Floral Still Life, oil on canvasboardFloral Still Life, oil on canvasboard, 17 x 14, signed lower right: Ella K. Mewhinney, , Est. $1000 - $4000 |
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#117 |
Ella K Mewhinney (Am. 1891-1962), Bouquet of Glad Flowers, oil on canvasBouquet of Glad Flowers, oil on canvas, 26 1/2 x 19, signed lower right: Ella K. Mewhinney, This painting was exhibited in the show" Visioning Beauty: An Ella K. Mewhinney Retrospective, Nov. 1, 2008 - Jan. 31, 2009 at the Bell County Museum in Belton, TX., Est. $6000 - $8000 |
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#118 |
Verda Ligon (Am. 1902-1970), Deram Flowers of the Desert, pastel on paperDeram Flowers of the Desert, pastel on paper, 18 x 15, signed on reverse: Verda Ligon, Est. $3000 - $6000 |
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#119 |
Veronica Helfensteller (Am. 1910-1964), Legend of Sleepy Hollow, watercolor on paperLegend of Sleepy Hollow, watercolor on paper, 12 x 18, signed lower right: V.H., Est. $1500 - $3000 |
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#120 |
Xavier Gonzalez (Am. 1898-1993), Offerings, 1951, oil on canvasOfferings, 1951, oil on canvas, 34 x 44, signed lower right: X.G. , Est. $5000 - $10000 |
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#121 |
Harry Carnohan (Am. 1904-1969), Madonna, 1953, gouache on canvasMadonna, 1953, gouache on canvas, 36 x 25, signed lower right: Carnohan '53, Est. $1000 - $2000 |
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#122 |
Alice Chilton (Am. 1891-1978), Bluebonnet Landscape, oil on boardBluebonnet Landscape, oil on board, 8 x 10, singed lower right: Alice Chilton, , Est. $1500 - $3000 |
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#123 |
Alice Chilton (Am. 1891-1978), Cactus Landscape, oil on canvasboardCactus Landscape, oil on canvasboard, 10 x 8, signed lower right: Alice Shilton, G.N.A., Est. $1000 - $2000 |
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#124 |
Alice Chilton (Am. 1891-1978), Yucca in Bloom, oil on boardYucca in Bloom, oil on board, 16 x 12, signed lower right: Alice Chilton, Est. $2000 - $4000 |
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#125 |
W Frederick Jarvis (Am. 1868/1898-1944/1966), Fall Landscape, oil on canvasFall Landscape, oil on canvas, 18 x 24, signed lower left: W Frederick Jarvis, Est. $1500 - $3000 |
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#126 |
W. Frederick Jarvis (Am. 1868/1898-1944), Pumpkins in the Field, oil on canvasPumpkins in the Field, oil on canvas, 10 x 12, signed lower left: WF Jarvis, Est. $1500 - $3000 |
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#127 |
Morris Walton Leader (Am. 1877-1966), Bluebonnet Landscape, oil on canvas 10 x 12Bluebonnet Landscape, oil on canvas 10 x 12, 10 x 12, signed lower left: MW Leader, Est. $1500 - $3000 |
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#128 |
Raymond Everett (Am. 1885-1948), Landscape, 1936, oil on canvasLandscape, 1936, oil on canvas, 24 x 30, signed lower left: R Everett 1936, Est. $1500 - $3000 |
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#129 |
Rolla Sims Taylor (Am. 1872-1970), Landscape with Verbenas, c. 1920, oil on canvasLandscape with Verbenas, c. 1920, oil on canvas, 16 x 24, signed lower left: Rolla Taylor, Exhibited: Texas Impressionism at the Panhandle Plains Historical Museum, Est. $6000 - $12000 |
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#130 |
Rolla Sims Taylor (Am. 1872-1970), Leon Springs Cabin, Near San Antonio, TX, oil on canvasLeon Springs Cabin, Near San Antonio, TX, oil on canvas, 14 x 16, signd lower right: Rolla Taylor, Est. $1500 - $3000 |
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#131 |
Rolla Sims Taylor (Am. 1872-1970), Irish Flats, oil on canvas boardUntitled, oil on canvas board, 9 x 12, signed lower right, Est. $1000 - $2000 |
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#132 |
Eloise Polk McGill (Am. 1868-1939), Harbor Scene, oil on boardHarbor Scene, oil on board , 9 x 12, signed lower right: E.P. McGill, Est. $2000 - $4000 |
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#133 |
William A. Slaughter (Am. 1923-2003), Texas Landscape, oil on canvasTexas Landscape, oil on canvas, 20 x 16, signed lower right: W.A. Slaughter, Est. $1000 - $2000 |
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#134 |
William A. Slaughter (Am. 1923-2003), Spring Texas Landscape, oil on canvasSpring Texas Landscape, oil on canvas, 36 x 24 , signed lower right: W.A. Slaughter, Est. $8000 - $12000 |
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#135 |
William A. Slaughter (Am. 1872-1961), Bluebonnet Landscape, oil on canvasBluebonnet Landscape, oil on canvas , 9 x 12, signed lower left: W.A. Slaughter, Est. $1500 - $2500 |
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#136 |
Franz Strahalm (Am. 1879-1935), Medina Lake, oil on canvasMedina Lake, oil on canvas, 28 x 34, Est. $6000 - $8000 |
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#137 |
Ella K Mewhinney (Am. 1891-1962), Texas Bluebonnet Landscape, oil on canvasTexas Bluebonnet Landscape, oil on canvas, 13 x 17, signed lower left: Ella K. Mewhinney, Est. $8000 - $12000 |
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#138 |
Herbert Stitt (Am. 1880-1943), Country Landscape, oil on canvasCountry Landscape, oil on canvas, 25 x 30, signed lower left: HD Stitt, , Est. $5000 - $10000 |
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#139 |
Edward Eisenlohr (Am. 1872-1961), Santa Fe, 1924, oil on canvasSanta Fe, 1924, oil on canvas, 20 x 24 , signed lower right: E.G. Eisenlohr, Santa Fe, 1924, , Est. $6000 - $8000 |
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#140 |
Dwight Holmes (Am. 1900-1986), Aspens in Ruidoso, NM, Aspens in Ruidoso, NM 1979Aspens in Ruidoso, NM, Aspens in Ruidoso, NM 1979, oil on canvas, signed lower right: Dwight C. Holmes '79, Est. $2000 - $4000 |
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#141 |
Edward Eisenlohr (Am. 1872-1961), Church at Selma, June 1940, oil on boardChurch at Selma, June 1940, oil on board, 12 x 18 , signed lower left: E.G. Eisenlohr, Est. $8000 - $12000 |
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#142 |
Fremont Ellis (Am. 1897-1985), Swinging Footbridge of Colt Canyon, oil on canvasSwinging Footbridge of Colt Canyon, oil on canvas, 20 x 24, signed lower left: Fremont Ellis, Est. $15000 - $25000 |
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#143 |
Carl Thomas Hoppe (Am. 1897-1981), Horse Mint, 1926, oil on canvasHorse Mint, 1926, oil on canvas, 22 x 30, , Exhibited: The San Antonio Art League, 1928 Competition, Texas Impressionism, Panhandle-Plains Historical Museum, Est. $6000 - $10000 |
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#144 |
Carl Thomas Hoppe (Am. 1897-1981), Grey Day in Texas Hill country, oil on canvasGrey Day in Texas Hill country, oil on canvas, 16 x 20, signed lower right: C Hoppe, 53, Est. $2000 - $3000 |
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#145 |
Reveau Bassett (Am. 1897-1981), Mallards in Flight, oil on canvasMallards in Flight, oil on canvas, 20 x 16, signed lower left: Reveau Bassett, Est. $12000 - $18000 |
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#146 |
Reveau Bassett (Am. 1897-1981), Mallard Ducks, oil on canvasboardMallard Ducks, oil on canvasboard, 8 x 10, signed lower left: Reveau Bassett, Est. $2000 - $4000 |
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#147 |
Reveau Bassett (Am. 1897-1981), Northern Pin Tail Ducks, oil on canvasboardNorthern Pin Tail Ducks, oil on canvasboard, 8 x 10, signed lower right: Reveau Bassett, Est. $2000 - $4000 |
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#148 |
Olin Travis (Am. 1888-1975), Port Aransas, Texas, oil on boardPort Aransas, Texas, oil on board, 20 x 28, signed lower left: Olin Herman Travis, Est. $10000 - $20000 |
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#149 |
Kathryne Hail Travis (Am. 1894-1972), Devils Den, Arkansas, oil on canvasDevils Den, Arkansas, oil on canvas, 24 x 30, signed lower right: Kathryn Hail Travis, Est. $1500 - $3000 |
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#150 |
Olin Travis (Am. 1888-1975), November in the Ozarks, oil on canvasNovember in the Ozarks, oil on canvas, 20 x 28, signed lower left: Olin Herman Travis, Est. $3000 - $6000 |
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#152 |
Olin Travis (Am. 1888-1975), Study for Ash Hopper, gouache on paperStudy for Ash Hopper, gouache on paper, 10 1/2 x 9, signed lower right: Olin Travis, Est. $2000 - $3000 |
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#153 |
Alexandre Hogue (Am. 1898-1994), The Mountain Trail, 1927, oil on canvasboardThe Mountain Trail, 1927, oil on canvasboard, 8 x 6, signed lower left: Alexandre Hogue 27, Notes on reverse: The Mountain Trail, Simpsons Memorial Trail to Wheelers Peak, October, 1927, Alexandre Hogue, Est. $7000 - $10000 |
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#154 |
Peter Hurd (Am. 1904-1984), Chores Before the Rain, watercolor on paperChores Before the Rain, watercolor on paper, 22 x 30, signed lower right: Peter Hurd, Est. $12000 - $18000 |
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#155 |
Peter Hurd (Am. 1904-1984), Los Salinas, watercolor on paperLos Salinas, watercolor on paper, 12 x 18 1/2, signed lower right: Peter Hurd, Los Salinas, Est. $2000 - $4000 |
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#156 |
Joseph A. Fleck (Am. 1892-1977), Young Indian Boy Selling San Ildefonso Pottery, oil on boardYoung Indian Boy Selling San Ildefonso Pottery, oil on board, 29 x 44, signed lower right: Jos. Fleck, Est. $15000 - $25000 |
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#157 |
Peter Hurd (Am. 1904-1984), Pennsylvania Landscape, oil on canvasPennsylvania Landscape, oil on canvas, 16 x 25, signed lower right: Peter Hurd, Est. $5000 - $10000 |
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#158 |
Robert Wood (Am. 1889-1979), Ocean View, oil on canvasOcean View, oil on canvas, 24 x 48, signed lower right: Robert Wood, Est. $3000 - $6000 |
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#159 |
Dawson Dawson-Watson (Am. 1864-1939), Prickly Pear Cactus, oil on canvasPrickly Pear Cactus, oil on canvas, 17 x 13, signed lower left: Dawson-Watson, Est. $25000 - $35000 |
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#159A |
Dawson Dawson-Watson (Am. 1864-1939), Path Through the Bluebonnets, 1933, oil on canvasboardPath Through the Bluebonnets, 1933, oil on canvasboard , 16 x 12, signed lower right: Dawson Watson 33, Est. $6000 - $12000 |
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#160 |
Audley Dean Nicols (Am. 1875-1941), West Texas, oil on canvasWest Texas, oil on canvas, 12 x 18, signed lower left: Audley Dean Nicols, Est. $15000 - $25000 |
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#161 |
Porfirio Salinas (Am. 1910-1973), Open Gate in the Hill Country, oil on canvasOpen Gate in the Hill Country, oil on canvas, 36 x 46, signed lower left: Porfirio Salinas, James Boyd Betts, a business man of Fort Worth, Texas, purchased them from Dewy Bradford in the early 1950s. They have remained in the family ever-since. , Est. $60000 - $80000 |
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#162 |
Porfirio Salinas (Am. 1910-1973), Texas Bluebonnet Landscape, oil on canvasTexas Bluebonnet Landscape, oil on canvas, 24 x 32, signed lower left: Salinas, Est. $40000 - $60000 |
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#163 |
Porfirio Salinas (Am. 1910-1973), Texas Bluebonnet Landscape, oil on canvasTexas Bluebonnet Landscape, oil on canvas, 25 x 30, signed lower right: Porfirio Salinas, James Boyd Betts, a business man of Fort Worth, Texas, purchased them from Dewy Bradford in the early 1950s. They have remained in the family ever-since. , Est. $20000 - $30000 |
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#164 |
Porfirio Salinas (Am. 1910-1973), West Texas Bluebonnet Landscape, oil on canvasWest Texas Bluebonnet Landscape, oil on canvas, 24 x 36, signed lower left: Porfirio Salinas, Est. $20000 - $30000 |
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#165 |
Porfirio Salinas (Am. 1910-1973), Texas Bluebonnet Landscape, oil on canvasTexas Bluebonnet Landscape, oil on canvas, 16 x 24, signed lower left: Porfirio Salinas, Est. $12000 - $18000 |
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#166 |
Porfirio Salinas (Am. 1910-1973), West Texas, oil on canvasWest Texas, oil on canvas, 12 x 16, signed lower left: P Salinas, Est. $8000 - $12000 |
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#167 |
Porfirio Salinas (Am. 1910-1973), Mount Bonnell Colorado River, 1940, oil on canvasboardMount Bonnell Colorado River, 1940, oil on canvasboard, 10 x 14, signed lower left: P Salinas, Est. $2500 - $5000 |
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#168 |
Porfirio Salinas (Am. 1910-1973), El Cordobes Spain, oil on canvasEl Cordobes Spain, oil on canvas, 20 x 16, signed lower left: Porfirio Salinas, Est. $3000 - $6000 |
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#169 |
Frank Reaugh (Am. 1860-1945), Untitled, D, pastel on paperUntitled, D, pastel on paper , 3 x 5 1/2, signed lower right: D , Exhibited: Panhandle Plains Historical Museum; provenance recorded on reverse of frame by Rainone Galleries stated: This painting was from the Panhandle Plains Historical Museum in 1965. This was examined by Reveau Bassett and William Alexander, both of Dallas, Est. $3000 - $6000 |
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#171 |
Frank Reaugh (Am. 1860-1945), Untitled, Colorado Springs, CO, pastel on paperUntitled, Colorado Springs, CO, pastel on paper , 3 x 6 1/2, signed lower right: Colo, Provenance: Estate of Reveau Bassett, Dallas, TX; Private Collection, Dallas, TX; Heritage Auctions, Dec. 15, 2017; Empire Partners, Ltd Collection acquired from above, Est. $4000 - $8000 |
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#172 |
Frank Reaugh (Am. 1860-1945), Untitled Blue Sky, pastel on paperUntitled Blue Sky, pastel on paper, 3 1/2 x 7; signed lower right: F. Reaugh Untitled, Blue Sky is accompanied by a letter of Authenticity from James P. Cornette, President of the Panhandle Plains Historical Society, 1963-1965. The lot also includes a book: F. Reaugh-Man and Artist, by: J. Evetts Haley. © 1960 by J. Evetts Haley, Est. $4000 - $7000 |
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#173 |
Jose Arpa (Am. 1858-1952), Brackenridge Park, oil on canvasBrackenridge Park, oil on canvas, 18 x 24, signed lower left: J Arpa, Est. $40000 - $60000 |
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#174 |
Jose Arpa (Am. 1858-1952), The Tower in Miraflores, Dr. Urrutia's, c. 1920, oil on panelThe Tower in Miraflores, Dr. Urrutia's, c. 1920, oil on panel, 14 1/3 x 11 1/4, signed lower right: J Arpa, San Antonio, This is the "Lost Garden" in San Antonio, Texas, c. 1920, Est. $40000 - $60000 |
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#175 |
Julian Onderdonk (Am. 1882-1922), In the Land of the Spanish Oak, Southwest Texas, 1910, oil on canvasIn the Land of the Spanish Oak, Southwest Texas, 1910, oil on canvas, 20 x 30 , signed on reverse: Julian Onderdonk 1910, This painting is accompanied by a letter of authenticity from Harry Halff, author of the book: Julian Onderdonk: A Catalogue Raisonne Julian Onderdonk is notably the one of the most highly valued Texas impressionist painters of the early 20th century. His career began early, as Julian was the son of Robert Jenkins Onderdonk, a prominent portrait painter and teacher of the San Antonio area. Robert Jenkins helped organize and attended the Arts Students League of New York in 1875. Julian moved to New York in 1901 and showed early distinction for his skills as he studied under William Merritt Chase during which time he was awarded first prize in a student exhibition. Julian stayed in New York and became a prolific painter and had a partnership with a dealer in New York City who sold many of his works. Julian returned to San Antonio in 1909. It was during this time, and the years following his return that his affinity for the Texas landscape and his mastery of painting it shined. In the Land of the Spanish Oak in Southwest Texas Onderdonk takes a simply filled landscape of Spanish Oaks and depicts the sunlight splayed on the sculptural undulation of the terrain, and renders the vibrant colors of the foliage into a dynamic landscape. The pale sky is covered in an array of cool and warm tones that meet the horizon line in a complex colorful play on evening shadow. This rare painting portrays Onderdonk’s masterful talent as an impressionist painter and his proficiency for color. 1910 marked an active period for Onderdonk both in painting production, exhibitions and travel. He exhibited works at the San Antonio Women’s Club. He left for a trip to New York to collect paintings and bring them home to be exhibited at the Dallas State Fair Exhibition in October of 1910. In November he exhibited works at the San Antonio International Fair. He also exhibited two works at the National Academy of Design Annual Exhibition in New York. During this time he was listed as teacher of drawing and painting at the Wasson School at 206 Lexington Avenue in San Antonio, Texas. , Est. $175000 - $200000 |
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#176 |
Julian Onderdonk (Am. 1882-1922), Winter in the Brush Country, Southwest Texas, 1922, oil on panelWinter in the Brush Country, Southwest Texas, 1922, oil on panel, 9 1/2 x 12 1/2, signed lower right: Julian Onderdonk, This painting is illustrated on page no. 288, plate no. 1899 as: Texas Landscape, 1922, oil on academy board, 9 x 12 in the book: Julian Onderdonk: A Catalogue Raisonne by: Harry Halff and Elizabeth Halff (c) 2016 Museum of Fine Arts Houston, Est. $30000 - $40000 |
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#177 |
Julian Onderdonk (Am. 1882-1922), At Twilight, 1909, oil on panelAt Twilight, 1909, oil on panel, 6 x 9, signed lower right: Julian Onderdonk, Est. $12000 - $18000 |
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#178 |
Julian Onderdonk (Am. 1882-1922), Fall Landscape, oil on canvasFall Landscape, oil on canvas, 10 x 12, signed lower left: Julian Onderdonk, Est. $6000 - $9000 |
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#179 |
Julian Onderdonk (Am. 1882-1922), Woods Scene, 1908, oil on panelWoods Scene, 1908, oil on panel, 6 x 9, signed lower right: Julian Onderdonk, on reverse: Julian Onderdonk, 1908, This painting is included and illustrated on page131; cat no: 310 of the book: Julian Onderdonk: A Catalogue Raisonne, by: Harry H. Halff & Elizabeth Halff © 1016 The Museum of Fine Arts Houston, Est. $6000 - $12000 |
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#180 |
Julian Onderdonk (Am. 1882-1922), Landscape, Memory, 9/25/1922, pencil on paperLandscape, Memory, 9/25/1922, pencil on paper, 8 x 9 1/4, , This piece has been reviewed by Harry Halff, authrog of Julian Onderdonk, A Catalgoue Raisonne. He comments that it is a skecth by Juian, and would have come through Eleanor Onderdonk to La Sirena Gallery. Halff plans to include this in the Onderdonk Catalogue Raisonne addendum., Est. $1500 - $3000 |
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#180A |
Robert Jenkins Onderdonk (Am. 1852-1917), Sunset Through the Trees, oil on canvasSunset Through the Trees, oil on canvas , 20 x 24, sgined signed lower left: RJ Onderdonk Est. $8000 - $12000 |
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#181 |
Tom Lea (Am. 1907-2001), Dream of A Fair River: Yang-Tze, 1946, oil on canvasDream of A Fair River: Yang-Tze, 1946, oil on canvas, 27 x 32, singed lower right: Tom Lea, 1946, Provenance: from the Collection of Dr. Robert B. Homan. Texas painter, Tom Lea made his way to China as an accredited artists correspondent for Life Magazine during WWII by way of his friendship with Texas Art collector C.R. Smith who headed the Air Transport Command. Smith had written to Lea explaining Lea could fly anywhere the ATC flew. As a result, Lea flew around the world documenting the backroads of war, and ended up in China. Henry Luce who was the founding publisher of Life magazine asked Lea to paint the Chinese countryside while there. The following is an excerpt from the book: A Picture Gallery on page 78: "In 1943 Tom Lea made a long and exhaustive trip to China as an artist correspondent for Life magazine. After a few disagreeable days in Chungking he grew irritable and homesick. However, a trip to the countryside along the Yang-Tze River revealed, a dreamlike majesty to the misty flow of the great river through the quiet land so anciently known and lived upon and used and shaped and loved by generation after generation after generation.", Est. $70000 - $90000 |
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#182 |
Merritt Mauzey (Am. 1898-1973), Olsen's, oil on masoniteOlsen's, oil on masonite, 24 x 30, signed lower right: Mauzey, Note written by Merritt Mauzey attached to the back of the painting: Sketch made of John Sealy Hospital around 1935 . . . an old man lived in the boat and said that he had lived by the Sea all his life and would die by the Sea. He had a Scandinavian brogue so I called the sketch “Olsen’s”. This oil was made from the 12 x 16 sketch. , Est. $12000 - $18000 |
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#183 |
Everett Spruce (Am. 1908-2002), Riverbird, oil on canvasRiverbird, oil on canvas, 24 x 36, signed lower left: E Spruce, Everett Spruce moved to Dallas in 1926 with the encouragement of Olin Travis to study at Travis's Dallas Art Institute. While at the Institute, Spruce studied under Travis and Thomas Stell. In 1931, Spruce began work as a gallery assistant at the Dallas Museum of Fine Arts moving on to become the assistant to the director and registrar from 1935-1939. In 1940, Spruce moved to Austin to teach at the University of Texas where he remained until 1974. He taught at UT first as instructor of life drawing and creative design, then professor of art and served as chair of the art department from 1949-1950. He was awarded the grant from the Ford Foundation for creative and experiential study. These active years for Spruce marked a time when his works were widely collected by museums including the Metropolitan Museum of Art, the Museum of Modern Art, and the Whitney Museum of American Art to name a few. Opening this fall, the Amon Carter Museum of American Art opens the exhibition: Texas Made Modern: The Art of Everett Spruce. This exciting show is curated by the museum and is accompanied by an extensive catalogue of Spruce's work. Several works in this exhibition resemble similar characteristics and strong qualities to this work with its dark outlines, almost patchwork quality of the rocky hillside above the water and the subject matter of the Texas landscape and wildlife. Texas Made Modern: The Art of Everett Spruce will be on view August 18 - November 1, 2020. Sources: -Midcentury Modern Art In Texas, by: Katie Robinson Edwards (c) 2014 Univ. of Texas Press -Texas Artists and Artisans 1718-1959 Vol. III: Q-Z, by: Vic Roper (c) 2017: Vic Roper -cartermuseum.org, Est. $20000 - $30000 |
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#184 |
Everett Spruce (Am. 1908-2002), Sand Piper, oil on boardSand Piper, oil on board, 25 x 30, signed lower right: Spruce, Est. $30000 - $40000 |
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#185 |
Everett Spruce (Am. 1908-2002), Four Bare Trees, 1931, gouache on paperFour Bare Trees, 1931, gouache on paper, 10 x 14, signed lower left: Everett Spruce 31, Est. $24000 - $30000 |
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#186 |
Everett Spruce (Am. 1908-2002), Mountain, ink on paperMountain, ink on paper, 9 1/2 x 11 3/4, signed lower left: Spruce, Provenance: Everett Spruce Studio; Margaret Peck purchased at U.T. Facility Art Exhibition, 1960. The Original Check from Margaret Peck to Everett Spruce is included in this lot., Est. $1000 - $2000 |
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#187 |
William Lester (Am. 1901-1991), Bird Roost, 1957, oil on linen canvasBird Roost, 1957, oil on linen canvas , 34 x 44, signed on reverse: Bird Roost, WM Lester, This was the 10th painting Lester executed in 1957. It was a gift to his daughter and son-in-law. , Est. $8000 - $12000 |
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#188 |
William Lester (Am. 1901-1991), Blue Landscape, 1970, mixed media acrylic paper glued on boardBlue Landscape, 1970, mixed media acrylic paper glued on board, 22 x 29 1/2, signed on reverse: Blue Landscape, WM Lester 1970, William Lester was a Texas Religionists painter and studied under Olin Travis and Thomas Stell with the encouragement of Alexandre Hogue. He later taught art at the Dallas Museum of Art until 1942. He then moved to Austin to teach at the University of Texas from 1942-1974. He was the chair of the art department from 1952-1954. His works can be found in the following collections: Dallas Museum of Art, Metropolitan Museum of Art, Museum of Fine Arts Houston, Torch Collection, Houston; and the Whitney Museum of American Art. , Est. $3000 - $6000 |
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#189 |
William Lester (Am. 1901-1991), Shadows Cast, New York, 1955, oil on linen canvasShadows Cast, New York, 1955, oil on linen canvas , 30 x 44, signed on reverse: 1955 IX, Shadows Cast, WM Lester, , Est. $10000 - $15000 |
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#190 |
William Lester (Am. 1901-1991), Chalk Bluff, 1961, oil on linen canvasChalk Bluff, 1961, oil on linen canvas , 30 x 44, signed on reverse: 1961, II, Chalk Bluff, -Source: Midcentury Modern Art In Texas, by: Katie Robinson Edwards (c) 2014 Univ. of Texas Press, Est. $5000 - $10000 |
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#191 |
William Lester (Am. 1901-1991), Abstraction, oil on masoniteAbstraction, oil on masonite, 17 x 12, Est. $3000 - $6000 |
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#192 |
William Lester (Am. 1910-1991), Untitled, oil on masoniteUntitled, oil on masonite, 30 x 24, Est. $1000 - $2000 |
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#193 |
William Lester (Am. 1901-1991), 5-M, c. 1974, acrylic on paper5-M, c. 1974, acrylic on paper, 25 x 18, , Lester created this experimental design after he retired from the his teaching position at the University of Texas, Est. $800 - $1000 |
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#194 |
William Lester (Am. 1901-1991), Untitled Abstraction, ink on paperUntitled Abstraction, ink on paper, 30 x 22, signed on reverse, Est. $2500 - $5000 |
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#195 |
William Lester (Am. 1901-1991), Untitled Abstraction, 1965, ink and watercolor on paperUntitled Abstraction, 1965, ink and watercolor on paper, 11 x 14, signed on reverse: WM Lester '65, Est. $800 - $1200 |
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#196 |
Reveau Bassett (Am. 1897 - 1981), Pond at Sunset, oil on canvas 26 x 40, signed lower left: Reveau BassettReveau Bassett (Am. 1897 - 1981), Pond at Sunset, oil on canvas 26 x 40, signed lower left: Reveau Bassett $20,000 - $30,000 |
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#197 |
Otis Dozier (Am. 1904-1987), Yellow Mountain Country, oil on masoniteYellow Mountain Country, oil on masonite, 24 x 30, signed on reverse: Otis Dozier, Est. $3000 - $6000 |
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#198 |
Otis Dozier (Am. 1904-1987), Three Quail, 1984, oil on canvasThree Quail, 1984, oil on canvas, 36 x 30 , signed on reverse: Dozier '84, Est. $3000 - $6000 |
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#199 |
Dorothy Hood (Am. 1918-2000), The Moon in the Earth II, oil on canvasThe Moon in the Earth II, oil on canvas, 70 x 59 3/4, singed uppwer right: D Hood, Dorothy Hood was born in 1918 in Bryan, Texas. She is known today as one of the foremost female Texas painters, producing some of her most significant and large-scale works while in Houston. She had spent periods of time between Mexico and Latin America which influenced her layered and evocative approach to painting. Her social circles included Latin American and European artists, painters, and writers. She was married to Jose Maria Velaso Maidana, the Bolivian composer. In recent history, the Art Museum of South Texas presented a major retrospective of her work: The Color of Being/El Color del Ser in 2017. This exhibition showcased some of her largest most important paintings taking over 11 galleries of the museum. Her works can be found in the following collections: Museum of Fine Arts Houston; McNay Art Museum; National Museum of Women in the Arts, Washington, D.C.; and the Laguna Gloria Art Museum. -Sources: Midcentury Modern Art In Texas, by: Katie Robinson Edwards (c) 2014 Univ. of Texas Press The Color of Being/El Color del Ser, by : Susie Kalil © 2016 Art Museum of South Texas, Est. $25000 - $35000 |
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#200 |
Jennie Haddad (Am. 1906-1996), One O'clock, 1957, oil on canvasOne O'clock, 1957, oil on canvas, 50 x 38, signed on reverse: Jennie Haddad, '57, Jennie Haddad remained a Dallas based artist after studying with Abstract Expressionist master Hans Hoffman in Provincetown and New York City. She had an acclaimed career winning several awards and was shown in several exhibitions, including one curated by Clement Greenberg. Haddad was born in Lebanon in 1906, she and her family moved to Provo, Utah in 1912. After her father’s death when she was nine, she and the rest of her family moved to Canadian and then Amarillo, Texas. She later moved to Tyler, Texas and married Joseph Haddad. Jennie’s interest and talent for art began while only in third grade. Other students were instructed to illustrate church windows, and Jennie depicted a Madonna, for which she won first prize. While working in the candy shop she would sketch on candy wrapper, and she began sketching what she saw. After marrying Joseph, in 1943 Haddad started driving to Dallas every week to study with Otis Dozier at the Dallas Museum of Fine Arts. Her early paintings resemble the work of John Marin, she never studied with him, rather, she admired his work. She always carried a sketchbook with her and drew what she saw in nature. Haddad’s husband passed away when she was 47, after that she moved to Dallas and began studying art at SMU. in 1956 she went to Provincetown to study with Hans Hoffman. In the October 19, 1983 Dallas Times Herald article titled: Abstract Realism, Jennie Haddad’s paintings reflect her unique view of the real world, staff writer Bill Marvel quotes Hahhad reflecting on her time with Hoffman: “I clicked with Hans Hoffman and that turned out to be one of the best things that could have happened to me.” In 1958 Hoffman retired and reduced his class size to 12, Haddad was one of those chosen 12. Haddad’s work is linked to Louise Nevelson, Helen Frankenthaler, Robert Motherwell, Mark Rothko and Franz Kline. She spent her summers in Woodstock and winters in New York where she studied at the Arts Students League. She returned to Dallas and brought her paintings back from New York. One of her takeaways from Hoffman was that he told his students to: “Work from nature and that is good.” In 1979 the University of Dallas held a retrospective of her work, curated by the highly regarded at critic Clement Greenberg. Over the years her work was well represented by Ruth Wiseman Gallery in Deep Ellum of Dallas, Adams-Middleton Gallery in Dallas as well as represented by international art dealer, Ron Hall. Her works are abstract, and she comments on an endearing aspect of her oeuvre, that had three periods. In the 1983 DTH article Marvel sites Haddad on her periods: “At first there was a real lot of action. Then I began to seeing a lot of color in space, using colors to create negative as well as positive space. In the third period I’m trying to continue so that I can do as I please. I don’t like to repeat myself I go mad if I copied myself over and over.” , Est. $15000 - $25000 |
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#201 |
Jennie Haddad (Am. 1906-1996), Storm, 1958, oil on canvasStorm, 1958, oil on canvas , 64 x 50 , signed on reverse: Storm, 1958, Jennie Haddad, Est. $20000 - $30000 |
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#202 |
Robert Preusser (Am. 1919-1992), Untitled, #1, 1939, oil on boardUntitled, #1, 1939, oil on board, 10 x 10, signed lower right: Robert Preusser, Provenance: The Preusser Estate; Parkerson Gallery, Houston; Private Collection Houston, Texas Featured in the book for the exhibition "The Art of Texas: 250 Years" by Ron Tyler, page 353. , Est. $15000 - $20000 |
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#203 |
Edmund Daniel Kinzinger (Am. 1888-1963), Couple on the Beach, 1938, oil on canvasCouple on the Beach, 1938, oil on canvas , 24 x 31, signed lower right: A Couple on the Beach, 1938, Est. $15000 - $20000 |
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#204 |
Michael Frary (Am. 1918-2005), White Vase, oil on masoniteWhite Vase, oil on masonite, 20 x 16, signed lower right: Frary, Label on reverse: Dallas Museum of Fine Arts, 1959, Art Rental Collection, Est. $2000 - $4000 |
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#205 |
Carden Bailey (Am. 1911-1942), Castle, oil on panelCastle, oil on panel, 20 x 16, signed lower right: Carden Bailey, Est. $1500 - $3000 |
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#206 |
George Grammer (Am. 1928-2019), New York, oil on masoniteNew York, oil on masonite, 24 x 18 3/4, signed lower left: Grammer, Est. $3000 - $6000 |
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#207A |
George Grammer (Am. 1928-2019), Old Wick Orchard, polymer and watercolor on paperOld Wick Orchard, polymer and watercolor on paper, 18 1/2 x 14, signed lower right: Grammer, Est. $1800 - $2500 |
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#207B |
George Grammer (Am. 1928-2019), Flower Garden in Mexico, 1951, caesin and watercolor on paperFlower Garden in Mexico, 1951, caesin and watercolor on paper , 23 1/2 x 12 1/2 , signed lower irght: Grammer 51, Est. $1500 - $3000 |
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#207C |
George Grammer (Am. 1928-2019), Looking Toward Grand Central, 1956, gouache on paperLooking Toward Grand Central, 1956, gouache on paper, 24 x 19, signed lower right: Grammer '56, Est. $2000 - $4000 |
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#207D |
George Grammer (Am. 1928-2019), Cypress, gouache on paperCypress, gouache on paper, 11 x 8 1/4, signed lower rightL Grammer, Est. $800 - $1200 |
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#207E |
George Grammer (Am. 1928-2019), San Miguel de Allende Roof Tops, Near the Fronton Courts, watercolor on paperSan Miguel de Allende Roof Tops, Near the Fronton Courts, watercolor on paper, 22 x 30, signed lower right: George Grammer, Est. $1500 - $3000 |
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#208 |
Seymour Fogel (Am. 1911-1984), Untitled, Red Lyrical Form, oil on masoniteUntitled, Red Lyrical Form, oil on masonite, 40 x 30, signed on reverse: Fogel, Est. $6000 - $12000 |
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#209 |
Seymour Fogel (Am. 1911-1984), Untitled, encaustic, crayon & mixed media on paperUntitled, encaustic, crayon & mixed media on paper, 40 x 30, signed lower right: Fogel '75, Est. $4000 - $6000 |
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#210 |
Seymour Fogel (Am. 1911-1984), Totem, mixed media on paperTotem, mixed media on paper, 9 x 44, estate stamped lower left, Est. $8000 - $12000 |
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#211 |
Seymour Fogel (Am. 1911-1984), Core-Shaft, encaustic crayon and mixed media on boardCore-Shaft, encaustic crayon and mixed media on board, 20 x 14, , Provenance: Graham Modern Label attached to the back of the pianting. Purchased by Larry & Trish Heichel directly from the Fogel Estate, Est. $2500 - $5000 |
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#212 |
Seymour Fogel (Am. 1911-1984), Untitled, Cosmic Machine, 1978, graphite on paperUntitled, Cosmic Machine, 1978, graphite on paper, 30 x 20, signed lower right: Seymour Fogel, '78, Est. $2000 - $4000 |
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#213 |
Dan Rizzie (Am. Bn. 1951-), The Bolivar (J.V.H.), 1990, acrylic and wood on boardThe Bolivar (J.V.H.), 1990, acrylic and wood on board, 60 x 40, signed on reverse: The Bolivar, for (J.V.H.), 1990, Dan Rizzie, Est. $6000 - $8000 |
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#214 |
Dan Rizzie (Am. 1951-), Untitled, printUntitled, print, 9 x 8 3/4, signed lower right: Dan Rizzie, 1995, Est. $600 - $1200 |
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#214A |
Dan Rizzie (Am. 1951-), Untitled, 1985, monotype print with chine colle paperUntitled, 1985, monotype print with chine colle paper, 23 3/4 x 17 3/4, signed lower right: Dan Rizzie, 1985, Est. $1500 - $3000 |
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#215 |
Perry Nichols (Am. 1911-1992), Watering Hole, 1951, oil on masoniteWatering Hole, 1951, oil on masonite, 24 x 30, signed lower left: Perry Nichols '51, Est. $8000 - $12000 |
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#216 |
Perry Nichols (Am. 1911-1992), A Pear, Apple & Two Lemons, oil on boardA Pear, Apple & Two Lemons, oil on board, 4 3/4 x 5 1/2, estate stamped on reverse, Est. $1500 - $2500 |
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#217 |
Jerry Bywaters (Am. 1906-1989), In the Hills, 1941, watercolor on paperIn the Hills, 1941, watercolor on paper, 11 x 14, signed across bottom: In the Hills, Jerry Bywaters, '41, Est. $4000 - $8000 |
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#218 |
Zanne Hochberg (Am. 1931-2001), Purple Hugh, oil on canvasPurple Hugh, oil on canvas 14 x 14, Est: $6,000 - $9,000 |
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#219 |
Zanne Hochberg (Am. 1931-2001), Woman, 1989, acrylic & mixed mediaWoman, 1989, acrylic & mixed media, 24 x 18 3/4, signed upper right: Zanne Hochberg, Est. $3000 - $6000 |
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#220 |
Zanne Hochberg (Am. 1931-2001), Untitled, 1970, Ed. 1/25, blue sugar loaf printUntitled, 1970, Ed. 1/25, blue sugar loaf print, 9 3/4 x 11 3/4, signed across bottom: 1/25, Z Hochberg, '79, Est. $1000 - $2000 |
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#221 |
Zanne Hochberg (Am. 1931-2001), Emerald Dragon, 1970, acrylic on paperEmerald Dragon, 1970, acrylic on paper, 13 x 10 1/4, signed lower right: Zanne Hochberg, 1970, Est. $2000 - $4000 |
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#222 |
Zanne Hochberg (Am. 1931-2001), Untitled Abstraction, Ed. 7/30, December, 1994, acrylic and mixed media on paperUntitled Abstraction, Ed. 7/30, December, 1994, acrylic and mixed media on paper, 8 1/4 x 11, signed upper left: 7/30; B; 12/94, Est. $1000 - $2000 |
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#223 |
Zanne Hochberg (Am. 1931-2001), Ecstatic, mixed media on printEcstatic, mixed media on print, 10 x 10 Est. $1800 - $3000 |
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#224 |
Bror Utter (Am. 1913-1993), Collage, 1944, mixed media on paperCollage, 1944, mixed media on paper, 11 x 7 3/4, singned lower right: Bror Utter, Est. $1500 - $3000 |
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#225 |
Bror Utter (Am. 1913-1993), Untitled, ink on paperUntitled, ink on paper, 7 x 9 1/2, signed lower right: Bror Utter, Est. $2000 - $4000 |
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#226 |
Bror Utter (Am. 1913-1993), Untitled, graphite and ink on paperUntitled, graphite and ink on paper, 10 1/4 x 13 1/4, signed lower right: Bror Utter, '48, Est. $400 - $800 |
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#227 |
Bror Utter (Am. 1913-1993), Arches, watercolor on boardArches, watercolor on board, 22 x 28 , signed lower right: Bror Utter, Est. $2000 - $4000 |
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#228 |
Bror Utter (Am. 1913-1993), Siena Duomo Italy, 1956, watercolor on paperSiena Duomo Italy, 1956, watercolor on paper, 18 1/2 x 26 3/5, signed lower right: Bror Utter 7/56, Est. $5000 - $7000 |
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#229 |
Sweetie Ladd (Am. 1902-1991), Lake Como, oil on boardLake Como, oil on board, 17 1/4 x 13 1/2, signed lower right: S Ladd, Est. $2500 - $3000 |
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#230 |
Bill Bomar (Am. 1919-1991), Rocks on the Main Shore, 1950, watercolor on paperRocks on the Main Shore, 1950, watercolor on paper, 10 3/4 x 14 1/2, signed lower left: BB, Est. $1500 - $3000 |
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#231 |
Fred Samuelson (Am. 1925-2015), Untitled Landscape, oil on canvasUntitled Landscape, oil on canvas, 38 x 32, signed lower right: Fred Samuelson, Est. $1000 - $2000 |
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#232 |
McDonald Smith (Am. 1927-), Untitled, oil on canvasUntitled, oil on canvas, 28 x 36, signed lower right: McDonald Smith, Est. $2000 - $4000 |
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#233 |
Edmund Daniel Kinzinger (Am. 1888-1963), Taos Pueblo, 1940, pastel on paperTaos Pueblo, 1940, pastel on paper, 18 1/2 x 24, signed lower right: Taos, EDK 40, Est. $1500 - $3000 |
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#234 |
Edmund Daniel Kinzinger (Am. 1888-1963), Portrait of Two Women, 1934, pink and ink on paperPortrait of Two Women, 1934, pink and ink on paper, 8 1/2 x 10 3/4, signed lower right: EDK 34, Est. $1000 - $2000 |
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#235 |
Robert Preusser (Am. 1919-1992), Untitled, mixed media on boardUntitled, mixed media on board, 24 x 18, , , Est. $2000 - $4000 |
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#236 |
Robert Preusser (Am. 1919-1992), Arctic Region, 1985-1990, mixed media on canvasArctic Region, 1985-1990, mixed media on canvas, 50 x 24, signed lower middle: Preusser '85/'90, , Est. $3000 - $5000 |
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#237 |
Robert Preusser (Am. 1919-1992), Organic Shapes and Strait Lines, blue ink on paperOrganic Shapes and Strait Lines, blue ink on paper, 11 x 8 1/2 , signed lower right: Preusser, , Est. $500 - $1000 |
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#238 |
DeForrest H. Judd (Am. 1916-1993), Lajitas Landscape, acrylic polymer on masoniteLajitas Landscape, acrylic polymer on masonite, 18 x 30, signed lower right: DeForrest Judd , , Est. $2000 - $4000 |
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#239 |
DeForrest H. Judd (Am. 1919-1993), Caddo Lake, 1951, oil on boardCaddo Lake, 1951, oil on board, 12 x 16, signed lower right: DeForrest Judd '51, Est. $2000 - $4000 |
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#240 |
David Brownlow (Am. 1915-2008), The Departure, oil on masoniteThe Departure, oil on masonite, 18 x 24, signed lower left: David Brownlow, Est. $2000 - $3000 |
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#241 |
Ehtel Spears (Am. 1903-1974), At the Beach, watercolor on paperAt the Beach, watercolor on paper, 22 x 30, signed lower right: Ethel Spears, Est. $800 - $1200 |
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#242 |
Barney Delabano (Am. 1926-1997), Red Brick Building, 1946, oil on canvasRed Brick Building, 1946, oil on canvas, 20 x 16, signed lower right: Delabano, 46, Est. $1500 - $3000 |
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#243 |
Coreen Mary Spellman (Am. 1905-1978), Mexican Woman, mezzotintMexican Woman, mezzotint, 3 3/4 x 2 3/5, signed lower right: Coreen M. Spellman, Est. $600 - $1200 |
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#244 |
Coreen Mary Spellman (Am. 1905-1978), Untitled Landscape, watercolor on paperUntitled Landscape, watercolor on paper, 19 1/2 x 24, estate stamped: Estate of Coreen Mary Spellman, Est. $400 - $600 |
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#245 |
Paul Maxwell (Am. 1925-2015), Fish, 1960, Ed. 130/200, serigraphFish, 1960, Ed. 130/200, serigraph, 12 x 18, signed lower right: P Maxwell, Est. $600 - $1200 |
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#246 |
Ward Lockwood (Am. 1894-1963), Untitled, tempera on paperUntitled, tempera on paper, 19 x 27, signed lower right: Lockwood, This work is reproduced as plate no VI-9 in the book, Ward Lockwood 1894-1963, by: Charles C. Eldredge, (c) The Univ. of Kansas Museum of Art. The following is a paragraph from the book, "The drawing style of the coastal sketches was more happily translated to a series of abstractions which Lockwood produced about 1950. In these abstractions there is a new delicacy and a feeling for an overall, uniform image. In this the drawings show affinities with the intricate constructions etched by Ynez Johnston, whose work was admired and collected by Lockwood. The abstraction also evokes memories of Paul Klee's fantastic drawings, a source which had particular impact on Lockwood.", Est. $3000 - $5000 |
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#247 |
Janet Moyer Rhapsody, oil on board, 11 x 9oil on board, 11 x 9, 11 x 9, signed lower right: J Moyer, This painting was exhibited at the Texas General Exhibition 1946-1947; exhibition label is affixed to back., Janet Moyer (Am. 1917 - 1986) RhapsodyEst. $400 - $800 |
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#247A |
Duke Horn (Am. 20th Cent.), Life Carousel Series #8, 2016, oil on canvasLife Carousel Series #8, 2016, oil on canvas , 16 x 20, signed lower right: D Horn, , Est. $800 - $1200 |
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#247B |
Duke Horn (Am. 20th Cent.), Capricious Floral II, acrylic and mixed media on canvasCapricious Floral II, acrylic and mixed media on canvas, 18 x 24, signed lower left: D Horn, Est. $800 - $1200 |
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#248 |
Victor Valdez , Untitled City Scene, oil on canvasboardUntitled City Scene, oil on canvasboard, 22 x 11 1/4, singed lower right: Victor Valdez, 50, Est. $800 - $1200 |
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#249 |
Luis Eades (Am. 1923-2014), Departure for the Island, 1950, oil on canvasDeparture for the Island, 1950, oil on canvas, 24 x 34, signed lower left: Luis Eades '50, Est. $2000 - $3000 |
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#250 |
Annette Lawrence (Am. 1965-), Leticia Eaton, 1998, acrylic on paperLeticia Eaton, 1998, acrylic on paper, 66 x 44, Est. $4000 - $8000 |
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#251 |
Jesus Bautista Moroles (Am. 1950-2015), Core Relief, 1995, Swedish granite (89 pounds)Core Relief, 1995, Swedish granite (89 pounds), 18 3/4 x 41 1/4 x 5 1/4, Est. $4000 - $8000 |
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#252 |
Jesus Bautista Morales (Am. 1950-2015), Untitled, graniteUntitled, granite, 17 1/2 x 10 1/4 x 3 3/4, Est. $1500 - $3000 |
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#253 |
Chalres Umlauf (Am. 1911-1994), Head I, 1960, bronzeHead I, 1960, bronze, 23 1/4 x 12 x 8, signed on sculptural base: C Umlauf, An image of this piece is illustrated on page 73, plate no. 93 of the book: Charles Umlauf, Sculptor, Forward by: Gibson A Danes, Intro. by: Donald Goodall, (c) 1967 Univ. of Texas Press, Est. $7000 - $12000 |
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#254 |
Jim Huntington (Am. Bn. 1941-), Ram, 1987, Rock with Bronze ArcRam, 1987, Rock with Bronze Arc, 19 x 19 x 15, Est. $2500 - $5000 |
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#255 |
Clyde Connell (Am. 1901-1988), Bistineare Kings II, 1993, mixed mediaBistineare Kings II, 1993, mixed media , 116 x 20 x 20, Est. $2000 - $4000 |
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#256 |
Sam Gummelt (Am. Bn. 1944-), Laguna Insert #3, 1993, enamel, tar and asphalt on woodLaguna Insert #3, 1993, enamel, tar and asphalt on wood, 30 1/2 x 4, Est. $800 - $1200 |
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#257 |
Nancy Chambers (Am. 20th Cent.), Untitled, mixed media and ceramicUntitled, mixed media and ceramic, 9 x 9 x 16, Est. $1000 - $2000 |
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#258 |
Tracy Hicks (Am. 1946-2014), Influencer, 1993, jar with dinosaur gizzard stone on wood columnInfluencer, 1993, jar with dinosaur gizzard stone on wood column, 67 x 10 1/2 x 10 1/2, Est. $1500 - $3000 |
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#259 |
Morton Rachofsky (Am. 1930-2019), Untitled, wood sculptureUntitled, wood sculpture, 49 x 12 1/4 x 12 1/4, signed on reverse: © 1992, MR, Est. $1500 - $3000 |
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#260 |
Morton Rachofsky (Am. 1930-2019), Untitled (with moquette), wood sculptureUntitled (with moquette), wood sculpture, 42 x 9 x 7, dated: 7/21/71, Est. $2500 - $5000 |
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#261 |
Darryl Lauster , Three Eagles, 2006, cast polyester resinThree Eagles, 2006, cast polyester resin, 25 x 10 1/2 x 9 1/2, , Darryl Lauster is an Intermedia artist, writer, and an Associate Professor of Sculpture at the University of Texas at Arlington. He has exhibited nationally at the Amon Carter Museum of American Art, the National Metal Museum, the Cameron Museum of Art, the Urban Center for Contemporary Art, the John Michael Kohler Foundation and the Contemporary Arts Museum, Houston, as well as internationally in Berlin, Paris, London and Rutten. His work can be found in the permanent collections of the Philadelphia Museum of Art, McNeese State University and the Museum of Fine Arts, Houston. His writing has been published by Gulf Coast Magazine, Art Lies Magazine, Crack the Spine, The Conversation, the CAA Art Journal Open and his first novel Rites of Passage, was published by Creators Press in 2017., Est. $2000 - $4000 |
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#262 |
Celia Eberle (Am. 1950-), Soup, 2002, ceramic, paper Mache, paper clay, foam core, gesso & acrylicSoup, 2002, ceramic, paper Mache, paper clay, foam core, gesso & acrylic, 13 x 28 1/2 x 17, , Exhibited at Dunn and Brown Contemporary; Whitney Museum Biennial Exhibition, Est. $800 - $1200 |
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#263 |
Stephen Rascoe (Am. 1924-2008), Near Suntide Road, 1956, Corpus Christie, Texas, oil on masoniteNear Suntide Road, 1956, Corpus Christie, Texas, oil on masonite, 48 x 24, signed lower right: S. Rascoe, Est. $2000 - $4000 |
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#264 |
Stephen Rascoe (Am. 1924-2008), Village Balcony View, 1969 (BR61, oil on masoniteVillage Balcony View, 1969 (BR61, oil on masonite, 36 x 24, signed lower right: Rascoe, Est. $2000 - $4000 |
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#265 |
Stephen Rascoe (Am. 1924-2008), Seagulls and Driftwood, 1950 (SRM 591), oil on masoniteSeagulls and Driftwood, 1950 (SRM 591), oil on masonite, 24 x 46, signed lower right: S. Rascoe, Est. $2000 - $4000 |
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#265A |
Earl Staley (Am. Bn. 1938-), View from the South Rim, 1985, oil on canvasView from the South Rim, 1985, oil on canvas, 48 x 71 1/2, sgined lower left: Staley, Est. $1000 - $2000 |
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#266 |
Cecil Casebier (Am. 1922-1996), Oz White Shooting Pool at Cecil Casebier's House, oil on canvasOz White Shooting Pool at Cecil Casebier's House, oil on canvas, 30 x 60, signed: Cecil Casebier, Painting of Oz White shooting pool at Cecil Casebier's House, authentic Cecil Casebier painting, Est. $2000 - $4000 |
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#267 |
Kelly Fearing (Am. 1918-2011), Four Abstract Figures, casein and pencil on paperFour Abstract Figures, casein and pencil on paper, 20 x 27, signed lower left: Kelly Fearing, Est. $3000 - $6000 |
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#268 |
Kelly Fearing (Am. 1918-2011), Monk, 1962, mixed media on paperMonk, 1962, mixed media on paper, 17 1/2 x 12, signed lower right: Kelly Fearing 1962, Est. $1000 - $2000 |
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#269 |
Kelly Fearing (Am. 1918-2011), Study for Saint Francis, 1974, pastel on paperStudy for Saint Francis, 1974, pastel on paper , 15 x 11, signed lower right: Kelly Fearing, 1974, Est. $1000 - $2000 |
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#270 |
Don Vogel (Am. 1917-2004), Garden Scene with Mother & Child, oil on panelGarden Scene with Mother & Child, oil on panel, 30 x 40, signed lower right: D. Vogel, Est. $2500 - $5000 |
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#271 |
Artine Smith (Am. 1903-1992), Built in 1795, watercolor on paperBuilt in 1795, watercolor on paper, 15 x 22, signed lower left: Artine, Est. $600 - $1200 |
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#272 |
Kermit Oliver (Am. Bn. 1943-), Morning at Rosharon, 1976, oil on boardMorning at Rosharon, 1976, oil on board, 30 x 36, signed on reverse: Morning at Rosharon, October 23, 1976, This work was commissioned by James W. Nesbitt., Est. $9000 - $12000 |
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#273 |
Anne Cushing Gantz (Am. 1935-2012), The Conservatory, oil on masonite, two panelsThe Conservatory, oil on masonite, two panels, each pane: 48 x 24, left panel signed lower left: Cushing; right panel signed lower right: Cushing, , Est. $2000 - $5000 |
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#274 |
Raymond Thibesart (Am. 1874-1968), Untitled Tree, pastel on paperUntitled Tree, pastel on paper , 12 x 9, Est. $1000 - $2000 |
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#275 |
John Elliot Jenkins (Am. 1868-1937), Spring Texas Landscape, oil on canvasboardSpring Texas Landscape, oil on canvasboard, 18 x 24, signed lower left: John Elliott Jenkins, Est. $2000 - $4000 |
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#276 |
John Elliot Jenkins (Am. 1868-1937), Hillside Field, oil on canvasboardHillside Field, oil on canvasboard, 12 x 18, signed lower right: John Elliott Jenkins, Est. $1000 - $2000 |
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#277 |
Josephine Oliver Travis (Am. 1908-1991), Untitled, C. 1923-1933, pastel on paperUntitled, C. 1923-1933, pastel on paper , 3 7/8 x 9, notes on reverse, Est. $1000 - $2000 |
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#278 |
Frank Klepper (Am. 1890-1952), Japanese Memories, oil on canvasJapanese Memories, oil on canvas, 16 x 20, signed lower left: Klepper, Provenance: Frank Klepper (artist) Collection; Lula Klepper (Frank's sister) inherited from above; Carol Hurley (granddaughter of Lula Klepper) inherited from above (current), Est. $1500 - $3000 |
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#279 |
Frank Klepper (Am. 1890-1952), Untitled, Fisherman, oil on canvasUntitled, Fisherman, oil on canvas, 34 x 40, signed lower right: Klepper, Est. $4000 - $8000 |
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#280 |
Richard Coke to Sampson Hudson , Texas Land Grant from Governor Richard Coke to Sampson Hudson; 1874 - 1876; 1876 No. 415, Vol. 4. , paperTexas Land Grant from Governor Richard Coke to Sampson Hudson; 1874 - 1876; 1876 No. 415, Vol. 4. , paper, 14 x 15, Est. $600 - $1200 |
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#280A |
Elisha Pease to John H. Burnett , Texas Land Grant from Elisha Pease to John H. Burnett, 1869 No. 68, Vol. 18, paperTexas Land Grant from Elisha Pease to John H. Burnett, 1869 No. 68, Vol. 18, paper, 14 x 16, Est. $600 - $1200 |
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#280B |
Hardin Richard Runnels to Joseph H. Devine , Texas Land Grant from Richard Runnels to Joseph H. Devine, 1859 No. 286, Vol. 24, paperTexas Land Grant from Richard Runnels to Joseph H. Devine, 1859 No. 286, Vol. 24, paper, 14 x 16, Est. $600 - $1200 |
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#281 |
Irene Von Horvath (Am. 1918-2007), Night Parking, Dallas, TX, 1942, watercolor on paperNight Parking, Dallas, TX, 1942, watercolor on paper, 14 1/2 x 20 1/4, signed lower right: Irene Von Horvath, Est. $400 - $800 |
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#282 |
Naomi Brotherton (Am. Bn. 1920-), Downtown Dallas, watercolor on paperDowntown Dallas, watercolor on paper, 14 x 18, Est. $400 - $800 |
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#283 |
Doris Childress (Am. 1909-2001), Fish Market, 1957, watercolor on paperFish Market, 1957, watercolor on paper, 16 x 12, signed lower right: Doris Childress, June 1957, Est. $2000 - $4000 |
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#284 |
Hedwyn Sanders (Am. 1885-1971), Park Scene, oil on boardPark Scene, oil on board, 20 x 24, signed lower left: H. Sanders, Est. $400 - $800 |
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#285 |
Xavier Gonzalez (Am. 1898-1993), Untitled, New Orleans, 1935, watercolor on paperUntitled, New Orleans, 1935, watercolor on paper, 18 x 20, signed lower right: X Gonzalez 1935, Est. $2500 - $5000 |
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#286 |
Harry Lewis (Am. 1927-2006), Natchez Mississippi, watercolor on paperNatchez Mississippi, watercolor on paper, 10 1/2 x 15, signed across bottom: Natchez Miss, H Lewis, Est. $500 - $1000 |
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#287 |
Sue Benner (Am. Bn. 1955-), Untitled, Landscape, 1988, hand dyed fabricUntitled, Landscape, 1988, hand dyed fabric, 21 1/4 x 21, signed lower right: © Sue Benner, 1988, Est. $400 - $800 |
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#288 |
Sue Benner (Am. Bn. 1955-), Untitled - Bold Pattern, hand dyed fabricUntitled - Bold Pattern, hand dyed fabric, 21 x 21, signed lower right: © Sue Benner, 1988, Est. $400 - $800 |
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#289 |
Sue Benner (Am. Bn. 1955-), Untitled, Landscape, 1988, hand dyed fabricUntitled, Landscape, 1988, hand dyed fabric, 20 3/4 x 21, signed lower right: © Sue Benner, 1988, Est. $400 - $800 |
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#290 |
Frank X. Tolbert (Am. Bn. 1945-), "X" & A Drink Bier after Picasso & Dali Show, 1997, charcoal on paper"X" & A Drink Bier after Picasso & Dali Show, 1997, charcoal on paper, 30 x 22, signed across bottom: Drink Bier After Picasso & Dali Show, Xavier 1.20.97, Est. $500 - $1000 |
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#291 |
David H. McManaway's (Am. 20th Cent.), Head Full, David McManaway's Studio, 1998, photographic printHead Full, David McManaway's Studio, 1998, photographic print, 24 1/2 x 20, signed across bottom: 1998, Head Full From David McManaway's Studio, David McManaway's, Est. $1000 - $2000 |
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#291A |
Keith Davis (Am. 20th Cent.), Green Chaps (accompanied with pencil on paper sketch for the painting), oil on canvasGreen Chaps (accompanied with pencil on paper sketch for the painting), oil on canvas, 24 x 18, signed lower right: Keith Davis, Est. $2000 - $3000 |
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#292 |
Stephen Lapthisophon (Am. 1956-), Wooden Donkey, 2004, ink and acrylic on cardboardWooden Donkey, 2004, ink and acrylic on cardboard, 53 1/2 x 31, Est. $2000 - $4000 |
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#293 |
Unknown (Am. 20th Cent.), Texas General Exhibition, Poster, PosterTexas General Exhibition, Poster, Poster, 17 1/2 x 14, Est. $600 - $1200 |
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#294 |
Bob Wade (Am. 1943-2019), The Pose, Ed. 15/38, printThe Pose, Ed. 15/38, print, 18 x 21, signed lower left: bob Wade, Est. $2000 - $4000 |
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#295 |
Art Guys (Am. 20th Cent.), Untitled, Ed. 47/50, mixed media on woodUntitled, Ed. 47/50, mixed media on wood, 30 x 22, Est. $1000 - $2000 |
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#295A |
Pam Bowman (Am. 20th Cent.), Le Cique de Tejas, acrylic on canvasLe Cique de Tejas, acrylic on canvas, 48 x 60, signed lower left:Pam Bowman (Am. 20th Cent.),Est. $2000 - $4000 |
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#295B |
Dan Blagg (Am. 20th Cent.), Railyard, Santa Fe, 2009, oil on panelRailyard, Santa Fe, 2009, oil on panel, 14 x 25, signed, Est. $2000 - $4000 |
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#295C |
Dan Blagg (Am. 20th Cent.), Switch Over the Tracks, drybrush watercolor on paperSwitch Over the Tracks, drybrush watercolor on paper, 18 x 24, signed lower right: Daniel Blagg, Est. $2000 - $4000 |
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#296 |
Polly Hoffman (Am. 1890-1949), Oil Rig Workers, oil on canvasboardOil Rig Workers, oil on canvasboard, 18 x 16, signed lower left: Polly Hoffman, Est. $3000 - $6000 |
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#297 |
Arthur Bishop Jeffreys (Am. 1892-1970), East Texas Oil Field, 1936, oil on canvasEast Texas Oil Field, 1936, oil on canvas, 30 x 40, signed lower right: AB Jeffreys E TEX '36, Est. $3000 - $6000 |
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#298 |
Lajos Markos (Am. 1917-1993), Untitled, oil on masoniteUntitled, oil on masonite, 16 x 20, signed lower right: Lajos Markos, Est. $1000 - $2000 |
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#299 |
Raymond S. Orren (Am. 1912-1995), Still Life with Cactus, oil on paperStill Life with Cactus, oil on paper, 28 x 22, signed lower right: Raymond Orren, Exhibited: Fort Worth Apr Association, Fort Worth, Texas, Exhibited: First Light: Local Art and the Fort Worth Public Library, 1901 - 1961, A Centennial Exhibit at the FW Public Library, 2001 Est. $1000 - $2000 |
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#300 |
L. R. Lopez (Am. 20th Cent.), Arizona Landscape, oil on masoniteArizona Landscape, oil on masonite, 11 3/4 x 18, signed lower right: L.R. Lopez, Est. $1000 - $2000 |
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#301 |
Peter Hohnstedt (Am. 1871/72-1957), Mule Ear Peaks, oil on canvasMule Ear Peaks, oil on canvas, 30 x 36, signed lower right: PL Hohnstedt, Est. $8000 - $12000 |
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#302 |
Seth Floyd Crews (Am. 1873-1958), Five O'clock, oil on boardFive O'clock, oil on board, 22 x 20, signed lower left: Floyd Crews, Est. $2500 - $5000 |
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#303 |
Jessie Davis (Am. 1887-1969), Untitled, Landscape, oil on canvasboardUntitled, Landscape, oil on canvasboard, 9 x 12, signed lower right: Jessie Davis, Est. $400 - $800 |
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#304 |
Frank Gervasi (Am. 1895-1986), Cloudcroft, New Mexico, oil on canvasboardCloudcroft, New Mexico, oil on canvasboard, 12 x 16, signed lower right: F Gervasi, Est. $300 - $600 |
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#305 |
Adolph Arthur Dehn (Am. 1895-1968), Landscape, oil on canvasboardLandscape, oil on canvasboard, 16 x 20, signed lower right: Adolph Dehn 45, Dehn was an important artist in the American art world whose work has been collected in many museums and whose works continue to be shown in various exhibitions. I believe he had some influence on Fort Worth Circle artists but do not know when or how. I believe his works were exhibited at the Carlin Gallery in Fort Worth as I have seen Carlin Gallery listed in the provenance of some of the Dehn works. I believe that some of Dehn's later works were sold by Evelyn Siegel at her gallery and we have one of these works hanging in our hall., Est. $2000 - $4000 |
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#306 |
Robert Wood (Am. 1889-1979), Estes Park Colorado, 1954, oil on canvasEstes Park Colorado, 1954, oil on canvas, 25 x 30, signed lower left: Robert Wood 54, Est. $1000 - $2000 |
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#307 |
Douglas Clark (Am. Bn. 1965-), Native Texan, Ed. 4/50, 2006, bronzeNative Texan, Ed. 4/50, 2006, bronze, 11 x 12 1/2 x 6 1/2, signed on sculptural base: D.B. Clark © 2006; 4/50, Est. $600 - $1200 |
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#308 |
Joe Beeler (Am. 1913-2006), The Cheyenne, Ed. 16 of 30, bronzeThe Cheyenne, Ed. 16 of 30, bronze, 10 1/4 x 4 x 3 3/4, signed on reverse: Joe Beeler, 16 of 30, Est. $800 - $1200 |
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#309 |
Carol Thornton (Am. 1926-2013), Texas Christian University, Amon G. Carter Stadium, Ed. 11/50, bronzeTexas Christian University, Amon G. Carter Stadium, Ed. 11/50, bronze, 9 1/4 x 10 x 2 1/2, signed lower right: CT , Est. $200 - $300 |
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#310 |
Carol Thornton (Am. 1926-2013), Chapel, bronzeChapel, bronze, 11 1/2 x 6 x 3 1/8, signed lower left: CT, Est. $200 - $300 |
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#311 |
John Enser (Am. 1898-1968), In Old Mexico, oil on canvasIn Old Mexico, oil on canvas, 24 x 30, singed lower right: John F. Enser, Est. $2000 - $4000 |
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#312 |
John Enser (Am. 1898-1968), Deserted Bishops Palace, oil on canvasDeserted Bishops Palace, oil on canvas, 24 x 30, signed lower right: John F. Enser, Est. $3000 - $6000 |
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#313 |
Clara C. Pancoast (Am. 1872-1959), Mission San Jose, oil on canvasboardMission San Jose, oil on canvasboard, 7 1/2 x 11 3/4, signed lower right: CC Pancoast, Est. $800 - $1200 |
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#314 |
Clarence J Finney (Am. 1898-1957), Taos, NM, c. 1933, watercolor on paper, signed lower right Finney 33Taos, NM, c. 1933, watercolor on paper, 14 x 20, signed lower right Finney 33 Est. $1000 - $2000 |
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#315 |
Frank Calder (Am. 1890-1968), Mission San Jose, 1926, watercolor on paperMission San Jose, 1926, watercolor on paper, 9 x 12 1/4, signed lower right: Frank Calder 26, Est. $400 - $800 |
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#317 |
Eric Harrison (Am. Bn. 1971-), Bluebonnets in the Hill Country, oil on canvasBluebonnets in the Hill Country, oil on canvas, 16 x 20 , signed lower left: Eric Harrison, Est. $1000 - $2000 |
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#318 |
Vivian Love (Am. 1908-1982), Bluebonnet Landscape; April 1964, oil on canvas boardBluebonnet Landscape; April 1964, oil on canvas board, 16 x 20, signed lower left: Vivian Love, Est. $1000 - $2000 |
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#319 |
Jose Ramos (Am. C. 1935), Bluebonnets and, oil on canvasBluebonnets and, oil on canvas, 16 x 20, signed lower left: Jose Ramos, Est. $1500 - $3000 |
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#320 |
Viveano Lopez (Am. 1906-1983), Bluebonnet Landscape, oil on canvas boardBluebonnet Landscape, oil on canvas board, 8 x 10 1/2, signed lower right: Lopez, Est. $1000 - $2000 |
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#321 |
Janet Downie (Am. 1854-1944), Texas Bluebonnet Landscape, oil on canvas boardTexas Bluebonnet Landscape, oil on canvas board, 3 1/2 x 5 3/4, signed lower left: Downie, Est. $400 - $800 |
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#322 |
Maud Estelle Work (Am. 1883-1943), Bluebonnet Landscape, oil on canvasboardBluebonnet Landscape, oil on canvasboard, 11 3/4 x 16, signed lower right: Maud Work, Est. $600 - $1200 |
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#323 |
Santa Duran (Am. 1909-2002), Bluebonnets and Yucca, oil on masoniteBluebonnets and Yucca, oil on masonite, 12 x 16, signed lower left: Santa Duran, Est. $1500 - $3000 |
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#324 |
William R. Thrasher (Am. 1908-1997), Bluebonnet Landscape, oil on canvasBluebonnet Landscape, oil on canvas, 24 x 36, signed lower left: WR Thrasher, Est. $2000 - $4000 |
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#325 |
Dollie Nabinger (Am. 1905-1988), Untitled, Bluebonnet Landscape, oil on canvasUntitled, Bluebonnet Landscape, oil on canvas, 24 x 36, signed lower left: D.S. Nabinger, Est. $1500 - $3000 |
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#326 |
Vallie Fletcher (Am. 1874-1939), River Scene, oil on canvasboardRiver Scene, oil on canvasboard, 11 3/4 x 14, signed lower right: Vallie Fletcher, Est. $800 - $1200 |
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#327 |
George Thomas Pritchard (Am. 1878-1962), Untitled Landscape, oil on masoniteUntitled Landscape, oil on masonite, 18 x 24, signed lower right: G Thomas Pritchard, Est. $750 - $1500 |
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#328 |
Donald Deardorff (Am. 1925-2010), Untitled Landscape, oil on canvasboardUntitled Landscape, oil on canvasboard, 11 1/2 x 23 1/2, signed lower left: Deardorff, Est. $1000 - $2000 |
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#329 |
Robert Quill Johnson (Am. 1927-1980), Quail Hen and Chicks, oil on panelQuail Hen and Chicks, oil on panel, 18 x 14, signed lower right: Robert Quill Johnson, Est. $1200 - $1800 |
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#330 |
Vallie Fletcher (Am. 1874-1939), Reflections, oil on canvasReflections, oil on canvas, 18 x 22, signed lower right: Vallie Fletcher, Est. $1200 - $1800 |
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#331 |
Jack Barnett (Am. Bn. 1944-), The field in Spring, oil on boardThe field in Spring, oil on board, 18 1/2 x 24, signed lower right: Jack Barnett, Est. $1000 - $2000 |
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#332 |
Jack Barnett (Am. Bn. 1944-), Longhorn in pasture, oil on masoniteLonghorn in pasture, oil on masonite, 12 3/4 x 15 1/2, signed lower right: Barnett, Est. $800 - $1200 |
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#333 |
Jack Barnett (Am. Bn. 1944-), Bridge and Field covered with Snow, oil on canvasBridge and Field covered with Snow, oil on canvas, 22 x 28 , signed lower right: Jack Barnett '15, Est. $1000 - $2000 |
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#334 |
J.B. Erwin (Am. 1920-2009), Winter Landscape, 1978, oil on boardWinter Landscape, 1978, oil on board, 18 x 24, signed lower right: J.B. Erwin, '78, Est. $1000 - $2000 |
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#335 |
Anne Weary (Am. Bn. 1952-), Longhorns in Burnett, pastel on paperLonghorns in Burnett, pastel on paper , 8 x 11 1/2, signed lower right: Anne Weary, Est. $400 - $800 |
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#336 |
Anne Weary (Am. Bn. 1952-), Yucca, pastel on paperYucca, pastel on paper , 9 1/4 x 5 1/2, signed lower left: AC Weary, Est. $400 - $800 |
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#337 |
Anne Weary (Am. Bn. 1952-), Horses on a Summer Day, pastel on paperHorses on a Summer Day, pastel on paper , 5 1/2 x 9 1/2 , signed lower right: Anne C Weary, Est. $400 - $800 |
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#338 |
Rodney L Furan (Am. 1927-), Handcart Immigrants 1856, oil on panelHandcart Immigrants 1856, oil on panel, 23 x 38, signed lower right: R Furan © 1978, Est. $1000 - $2000 |
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#339 |
J.P. Langley (Am. 20th Cent.), La Vaquera the Cowgirl, oil on canvasLa Vaquera the Cowgirl, oil on canvas, 48 x 36, signed lower right: J.P. Langley 2020, Est. $1500 - $3000 |
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#340 |
Russell Vernon Hunter (Am. 1900-1955), Abandoned Storefronts, oil on canvasboardAbandoned Storefronts, oil on canvasboard, 20 x 16, signed lower right: Russell Vernon Hunter, Est. $1500 - $3000 |
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#341 |
Lajos Markos (Am. 1917-1993), The Rustlers, 1971, oil on canvasThe Rustlers, 1971, oil on canvas, 24 x 36, signed lower left: L Markos, This work was Exhibited at Sandor's Hungarian Restaurant in Houston, Texas., Est. $8000 - $12000 |
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#342 |
Gary Gore (Am. 20th Cent.), Shy Hurst, 1978, oil on canvasShy Hurst, 1978, oil on canvas, 22 x 26, signed lower left: Gary Gore, 1978 ©, Est. $1000 - $2000 |
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#343 |
Endre Szabo (Hungary/Am. 1922-1991), Fiddler, 1979, oil on canvasFiddler, 1979, oil on canvas, 18 x 24, signed lower right: Endre Szabo © 1979, Est. $1000 - $2000 |
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#344 |
Amy Freemn Lee (Am. 1914-2004), Landscape with Pond, watercolor on paperLandscape with Pond, watercolor on paper, 15 x 21, signed lower right: Amy Lee, Est. $400 - $800 |
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#345 |
Amy Freemn Lee (Am. 1914-2004), Series of 4 Landscapes, watercolor on paperSeries of 4 Landscapes, watercolor on paper, 8 x 10 each, Est. $300 - $600 |
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#346 |
Amy Freemn Lee (Am. 1914-2004), Arches, watercolor on paperArches, watercolor on paper, 15 x 11, signed lower right: Amy Lee, Est. $300 - $600 |
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#347 |
Geneva Flores Hart (Am. 1906-2008), Priests, gouache on paperPriests, gouache on paper, 16 1/4 x 15 1/2, Est. $300 - $600 |
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#348 |
Geneva Flores Hart (Am. 1906-2008), Church Group, gouache on apeprChurch Group, gouache on apepr , 15 3/4 x 19 1/2, Est. $300 - $600 |
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#349 |
Geneva Flores Hart (Am. 1906-2008), Sidwalk Café, gouahce on paperSidwalk Café, gouahce on paper , 15 3/4 x 19 1/2, Est. $400 - $600 |
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#349A |
Lee Smith (Am. 1951-), Hymn to the Flame, Ed. Of 24, 1993, intaglio print on paperHymn to the Flame, Ed. Of 24, 1993, intaglio print on paper, 5 3/4 x 5 3/4, signed across bottom: Hymn to the Flame, Flatbed V, LN, Smith 3/93, Est. $600 - $1200 |
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#350 |
Avery Kelly (Am. 1987-), Fox, oil on canvasFox, oil on canvas, 30 x 40, Est. $600 - $1200 |
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#351 |
Phil Kimbrough (Am. 20th/21st Cent.), Queen of the Night Sky, 2015, acrylic on boardQueen of the Night Sky, 2015, acrylic on board, 20 x 16, signed on reverse: Queen of the Night Sky, Phil Kimbrough, 2015, Est. $500 - $1000 |
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#352 |
Martha Simkins (Am. 1866-1969), Portrait of Young Lady, oil on canvasPortrait of Young Lady, oil on canvas, 30 x 40, signed lower right: Martha Simkins, Est. $2000 - $4000 |
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#353 |
Martha Simkins (Am. 1866-1969), Portrait of a Woman, oil on canvasPortrait of a Woman, oil on canvas, 30 x 40, signed lower right: Martha Simkins, Est. $800 - $1200 |
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#354 |
Maurine Cantey (Am. 1901-1982), Cranberry Lamp, 1952, oil on canvasCranberry Lamp, 1952, oil on canvas, 20 x 24, signed lower right: Maurine Cantey, Est. $3000 - $6000 |
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#355 |
W.D. Boyd (Am. 1856-1938), Untitled Landscape, oil on canvas boardUntitled Landscape, oil on canvas board, 16 x 20, signed lower right: Boyd, Est. $750 - $1500 |
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#356 |
Eloise Stade (Am. 20th Cent.), White Rock Lake, Dallas, Texas, 1972, oil on canvasWhite Rock Lake, Dallas, Texas, 1972, oil on canvas, 16 x 20, signed lower right: E. Stade, 72, Est. $600 - $1200 |
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#357 |
Ursula Lauderdale (Am. 1879-1933), Women Dancing, oil on canvasWomen Dancing, oil on canvas, 34 x 28 , signed lower left: Ursula Lauderdale, Est. $1000 - $2000 |
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#358 |
Robert Joy (Am. 1910-1993), Woman Gardening with Hat, oil on canvasWoman Gardening with Hat, oil on canvas, 36 x 48, signed lower left: Robert joy 1979, Est. $1500 - $3000 |
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#359 |
Margaret Scruggs (Am. 1892-1988), Tree Roots, pastel on paperTree Roots, pastel on paper , 4 1/4 x 8 1/2, signed lower right: M Scruggs, Est. $300 - $600 |
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#360 |
Howard A Thain (Am. 1891-1956), The Sentinels, oil on canvasboardThe Sentinels, oil on canvasboard , 12 x 16, signed lower right: Howard Thain, Est. $1000 - $2000 |
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#361 |
Bud Biggs (Am. 1906-1985), Untitled, Cowboy in a Texas Landscape, watercolor on paperUntitled, Cowboy in a Texas Landscape, watercolor on paper, 22 x 30, signed lower left: Bud Biggs, Est. $800 - $1200 |
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#362 |
Ira McDade (Am. 1867-1954), Landscape, oil on canvasboardLandscape, oil on canvasboard, 9 1/2 x 15 1/2, signed lower right: Ira McDade, Est. $700 - $900 |
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#363 |
Ruth K. Underwood (Am. 1890 - 1976) , Portrait of Frank Reaugh, oil on canvasPortrait of Frank Reaugh, oil on canvas , 20 x 16, signed lower left: Ruth K. Underwood, Est. $1000 - $2000 |
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#364 |
Luis Edward Grenet (Am. 1857-1922), Mary, oil on canvasMary, oil on canvas, 24 x 19 1/2, Est. $2000 - $4000 |
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#365 |
Travis Lea Rhea (Am. 1927-2010), The Bath, oil on boardThe Bath, oil on board, 13 x 10, signed lower left: Rhea, Est. $400 - $800 |
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#366 |
Volney Allan Richardson (Am. 1880-1955), Floral Still Life, oil on canvasFloral Still Life, oil on canvas, 30 x 25, signed lower right: V.A. Richardson, Est. $400 - $800 |
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#367 |
Emily Guthrie Smith (Am. 1909-1986), Drama Girl, pastel on paperDrama Girl, pastel on paper , 17 x 14, signed lower right: Emily Guthrie Smith, P.S.A., Est. $600 - $1200 |
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#368 |
Aubrey Dale Greer (Am. 1904-1998), Rose Still Life, oil on canvasRose Still Life, oil on canvas, 25 x 30, signed lower left: A.D. Greer, Est. $300 - $600 |
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#369 |
Franz Strahalm (Am. 1879-1935), Roses, oil on canvasRoses, oil on canvas, 22 x 16, signed lower right: Franz Strahalm, Est. $1000 - $2000 |
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#370 |
Ruth Tears (Am. 1919-1971), Labor of Love, 1968, oil on canvasboardLabor of Love, 1968, oil on canvasboard, 18 x 14, signed on reverse: Ruth Tears, Est. $600 - $1200 |
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#371 |
Melinda Waring (Am. 20th Cent.), Still Life with Oriental Vase, oil on canvasStill Life with Oriental Vase, oil on canvas, 24 x 20, signed lower right: M Waring, Est. $3000 - $6000 |
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#372 |
Paul Turner (Am. 1904-1993), Terrier Dog, oil on canvasTerrier Dog, oil on canvas, 22 x 27 1/2, signed lower right: Paul Turner, 1971, Est. $500 - $1000 |
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#373 |
Kenneth Brown Am. 20th Cent.), Fall at Blanco, c. 1930, pastel on paperFall at Blanco, c. 1930, pastel on paper , 8 x 3 3/4, signed lower right: K Brown, Est. $300 - $600 |
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#374 |
John Elliot Jenkins (Am. 1868-1937), Floral Still Life, oil on canvasboardFloral Still Life, oil on canvasboard, 24 x 28, signed lower right: John Elliot Jenkins, Est. $1000 - $2000 |
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#375 |
Cal Gaspard (Am. 1934-), Fisherman by House, oil on canvasFisherman by House, oil on canvas, 18 x 24, signed lower left: Cal Gaspard, Est. $1000 -$2000 |
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#376 |
Unknown (20th Cent.), Kitchen of the Convent of Santa Rosa, oil on canvasKitchen of the Convent of Santa Rosa, oil on canvas, 18 x 24, signed lower left: Ex-Convento STA Rosa Cocina De Ceramic, Est. $750 - $1500 |
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#377 |
Arturo Mercado (Am. 1938-2015), Bluebonnet Landscape, watercolor on paperBluebonnet Landscape, watercolor on paper, 22 x 30, signed lower left: Arturo, 1972, Est. $500 - $1000 |
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#378 |
Ronald Thomason (Am. 1931-2001), Cabin with Red Roof, watercolor on paperCabin with Red Roof, watercolor on paper, 9 1/2 x 12, signed lower left: Ronald Thomason, Est. $500 -$1000 |
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#379 |
Freda Moorhouse (Am. 1918-2006), Pease House, Corpus Christi, watercolor on paperPease House, Corpus Christi, watercolor on paper, 17 x 23, signed lower right: Moorhouse, Est. $800 -$ 1200 |
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#380 |
Kathleen Savage (Am. 20th Cent.), Still Life, oil on panelStill Life, oil on panel, 8 x 13 3/4, signed lower right: Kathleen Savage, Est. $600 -$1200 |
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#381 |
Unknown (20th Cent.), Untitled, Man Plowing Field, oil on canvasboardUntitled, Man Plowing Field, oil on canvasboard, 22 x 30, Est. $750 -$ 1500 |
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#382 |
Salliann Putman (Am. 1937-), Spring Flowers Study, watercolor and bodycolor on paperSpring Flowers Study, watercolor and bodycolor on paper, 9 7/8 x 8 1/4, signed lower right: Salliann Putman, Est. $200 -$ 400 |
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#383 |
Salliann Putman (Am. 1937-), Spring Flowers, watercolor and bodycolor on paperSpring Flowers, watercolor and bodycolor on paper, 10 1/4 x 7 3/4, signed lower right: Salliann Putman, Est. $200 -$ 400 |
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#384 |
Mary Jarvis (Am. 20th Cent.), Unitled Landscape, oil on canvasboardUnitled Landscape, oil on canvasboard, 10 x 14, signed lower right: M Jarvis, Est. $600 - $1200 |
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#385 |
Aubrey Dale Greer (Am. 1904-1998) Portrait of LBJ's Daughter,Aubrey Dale Greer (Am. 1904-1998) Portrait of LBJ's Daughter, Luci Baines Johnson oil on canvas 36 x 30 signed lower left: A.D. Greer est. $10,000-$15,000 |